伤逝

论《伤逝》人物原型的变形艺术

On the Transformation Art of the Person Prototype in The Mourn

《伤逝》创作动因新探

A New Study About the Creating Motives of Remorse

启蒙神话、命运悖论与现代知识分子的遭遇&关于《伤逝》与《寒夜》的笔谈

Myths of Enlightenment , Paradoxes of Life and the Encounters of Modern Intellectuals

人生在世，几家哀愁，伤逝如此美丽，我们与之如影随形。

We live in all the beautiful , human brokenness of these losses .

但这也是人类美丽的伤逝。

This too , is beautiful , human brokenness .

对启蒙和启蒙者的双重反思&以小说《伤逝》、《创造》为例

Reflection upon Enlightenment and Enlightener & Taking Death Mourning and Creation as the Examples

命运悲剧和性格悲剧&《离婚》与《伤逝》的悲剧意义比较

Tragedies of Fate and Personality & a comparison between Divorce and Lamenting over the Dead

乡村记忆与都市体验：走进鲁迅世界的一个入口&《大师名作坊（鲁迅卷）.在酒楼上、伤逝、阿金》导读（上）

Rural Memories and Urban Experiences : An Entrance into the World of Lu Xun (ⅰ)

情感与符号&《伤逝》的语言艺术赏析

Emotions and Symbols & An appreciation of the artistic language in Regret for the Past

鲁迅和北村的《伤逝》中理想爱情模式的主体是不同的。

The subject of the ideal love model in the two homonymous novels is quite different .

女性主义视角下歌剧《伤逝》中子君的人物形象分析

The Image Analysis of Zijun in the Opera Regret for the Past from a Feminist Perspective

一往情深，质性自然&从《世说新语·伤逝》看魏晋士人的情感价值与表达

Emotion Value and Expression of Wei and Jin Periods from Shi Shuo Xin Yu · Shang Shi

自我的丧失与他者的围困&《伤逝》子君悲剧新论

The loss of self and the siege of others & the new contention about Tzu-chun 's tragedy

男权视域下的女性启蒙&以《伤逝》和《创造》的比较为例

The Female Enlightenment under the Area of the Right Man & To Past and Creates comparative example

存在与历史的纠缠和对抗&《伤逝》与《不能承受的生命之轻》比较

Tangle and Rivalry of Being and History : Comparative Study of Death Mourning and Unbearable Lightness of Being

独特人格独特文体&鲁迅《伤逝》创作心理初探

Unique personality , unique style of writting & A probe into the artistic mentality of Lu Xun 's Shangshi

结语部分再次肯定了施光南先生和歌剧《伤逝》对中国歌剧发展所具有的积极作用。

The epilogue reaffirms the positive role of Shi Guangnan and Shang Shi to the development of Chinese opera .

论《伤逝》文本对五四文化运动进行全面反省的隐喻性

On the Metaphor Characteristic of Overall Self-questioning of the May 4th Culture Movement in Be Sad For The Past Time

泥泞中的艰难行走&解读《伤逝》与《围城》中女性的爱情和婚姻生活

Trudging through the Mire & An Analysis of Women 's Love and Marriage in Regret for the Past and Fortress Besieged

《伤逝》中涓生和子君的爱情悲剧，有其外在的社会原因，更有其内在的个性因素。

There is an external social reason and internal personality factors in the love tragedy between Juansheng and Zijun in Shangshi .

《伤逝》是鲁迅创作的唯一一部爱情小说，也是一部仁者见仁、智者见智的作品。

Regret for the Past is the only love novel wrote by Lu Xun and is also a work of preference .

论歌剧《伤逝》中子君艺术形象的塑造及其对中国歌剧发展的启示

Study on the Image Creation of the Opera of Zijun in Shangshi and Its Implications for the Development of Chinese Operas

绝望边缘的体认与言说&以《伤逝》为个案解析鲁迅的时间观与生命意识

Inspection and Soliloquy on the Despairing Edge & Taking Lament as a Case to Analyze Luxun 's Standpoint of Time and Life

歌剧《伤逝》的艺术特征及其对中国歌剧发展的启示

The Artistic Characteristics of the Opera " Regret for the Past " and Its Positive Effect on the Development of Chinese Opera

《伤逝》显示了作者矛盾性思维的复杂性与未完成性，并且具有某种哲学品格。

Generally speaking , the novel reflects complexity and imperfect of the authors contradictory thinking and indicates the philosophy character in some measure .

徘徊于希望与绝望的边缘&从《河上柳》、《伤逝》看创作主体的不同审视视角与文学理想

Hope or Despair & Different Point of View and literary idea in Willow Tree Beside the River and Regrets for the Past Writers

《一个女人》和《伤逝》即是二者女性观的反映。而且都提出了女性觉醒之后的道路应该如何去走的问题。

One woman and Shangshi not only reflect the two authors'views on women liberation but also put forward the way after women 's awakening .

鲁迅与涓生之间的镜像效应，使《伤逝》的主题具有自我审视与批判的深刻意蕴。

" The probable effect from mirror image " make the theme of The Mourn have deep idea with the ego examination and the judgment .

本文意在说明《伤逝》是一篇现实主义与象征主义高度融合的艺术作品。

The purpose of this academic dissertation is to indicate that " Shang Shi " is an artistic works highly mixed realism together with symbolism .

封建传统势力的殉葬品&评《伤逝》中子君的悲剧形象

Sacrificial Object of Feudal Traditional Force & An Analysis of the Tragedy of the Heroine , Zi Jun in Lu Xun 's Work Dying In Desperation