赋格段
- 网络Fugato
赋格段-
在第二章，通过简单模仿与变化模仿、无终模仿与模仿模进、音型化对位、准赋格段四个方面，结合各乐章的实例从对位技法的视角逐一进行论述。
According to examples from four movements , in second chapter , the techniques of counterpoint will be discussed in six parts such as simple imitation and variation imitation , perpetual imitation , figural counterpoint , imitation with sequence , quasi-fugato .
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大气磅礴的三重赋格&朱践耳第九交响曲大赋格段分析
To Analyze The Grande Fuge Section of Zhu Jian'er Symphony No.9
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激越情感中的赋格精神&论贝多芬第九交响乐中赋格段的使用
Spirit of Fugue in Exaltation Feelings & On the usage of Fugue in Beethoven Symphony No.9