书法创作

  • 网络calligraphy creation
书法创作书法创作
  1. 诗意美、力度美是书法创作活动中不可缺少的审美内容。

    Poetry and dynamic beauty are indispensably aesthetic parts in calligraphy creation .

  2. 诗意、力度美在书法创作中的意义

    The Significance of Poetry and Dynamic Beauty in Calligraphy Creation

  3. 文化的冲突、融合,在女性书法创作实践中得到充分体现。

    The conflict and blend were fully embodied in their creations .

  4. 书法创作是生命精神的创生过程;

    The appreciation of calligraphy is valued by spirit of life .

  5. 论近代以来书法创作风格的演变

    On the change of calligraphic style since the modern time

  6. 米芾手札对当代书法创作的启示。

    Third , Mi Fu letters give inspiration of contemporary calligraphy creation .

  7. 论书法创作继承与创新的关系

    On the Relationship between Inheritance and Innovation in Calligraphy Creation

  8. 本文探讨了展厅效应对当代书法创作正、负两方面的影响。

    This paper discusses both positive and negative impacts of exhibition hall effects .

  9. 当代书法创作已经步入了以展览为中心的时代。

    The contemporary calligraphy creating has entered a time of exhibition – focus .

  10. 学院派书法创作模式的立体解读

    An All-dimensional Interpretation of the Creational Mode of the Academic School of Calligraphy

  11. 书法创作语言体系分析

    Analysis of Language System in Chinese Calligraphy Creation

  12. 书法创作中神和形的思考&谈谈获国际金奖和特别金奖的体会

    On the spirit and form in calligraphic creation

  13. 论书法创作中的无意于佳乃佳与无法之法

    An Excellent Piece of Calligraphy Is Created Unconsciously and No Technique Is a Technique

  14. 论当代书法创作的两个走向

    On the Two Directions of Contemporary Calligraphy Creation

  15. 关于书法创作中传统与创新

    Tradition and Innovation in Creative Work of Calligraphy

  16. 论字体组合对当代书法创作的影响

    The Effection of the Combination of Forms of Printed Character to the Modern Calligraphy Creation

  17. 鼻烟壶中人们最感兴趣的就是内画鼻烟壶,也就是在壶的内部进行绘画或者书法创作。

    The class of bottle that arouses most interest is that known as inside painted .

  18. 由书法创作到潜意识的阐释

    From Calligraphy Production to Latent Sense Elucidation

  19. 论当代书法创作的思维结构

    Thought Stucture of Contemporary Calligraphy Creation

  20. 论书法创作中的审美选择

    On Aesthetics Choice in Calligraphy Creation

  21. 书法创作的本质是一种冲动,是一种表达的需要,也是一种书法理性的思考。

    In essence , calligraphy creation is an impulse , an expression of need and a rational thinking of calligraphy .

  22. 它是某个特定时代书法创作之审美价值、审美趣味、审美理想等高度体现。

    It highly expresses the aesthetic value , aesthetic taste , and aesthetic idea of calligraphy . creation in certain times .

  23. 书法创作中,楷书的书写在尊重楷则的基础上更应该平添几分自由和心性。

    Calligraphy in Regular Script writing in respect Kai is based on adding a bit more freedom and disposition should be .

  24. 书法创作与欣赏,是凭借一定的临池经验与生活经验进行的。

    Calligraphy artistic with enjoy , and rely on to borrow the experience and life experience proceeding of certain enter pond of .

  25. 这些美学思想不仅指导了他的文学创作和育人之道,也无可避免地从艺术风格上左右了他的书法创作。

    These aesthetic ideologies not only guided his literature creation and educating pupils , but also influenced the artistic style of his calligraphy .

  26. 中国著名先锋派画家和书法家的最新作品是艺术家不断探索书法创作和传统重建的最好例证。

    This new works by China 's leading avant-garde painter and calligrapher exemplify the artist 's continuing exploration of calligraphic mark-making and the reinvention of tradition .

  27. 这也充分说明了碑帖融合的书法创作方法是符合历史发展潮流的,而且是科学的、有价值的。

    It also indicates that the the rubbings fusion of calligraphy creation is in line with the trend of historical development , and scientific and valuable .

  28. 近三十几年,书法创作、理论、教育均得到极大发展,作为书法作品重要展示方式的展览也得到长足发展。

    The last thirty years , the calligraphy creation , theory , education , as important ways of display of calligraphy of exhibition , have being also developed .

  29. 书法创作以文学作品作为书写内容从而与文学相互交融的现象,在书法发展史以及整个艺术发展史上,是有重要意义的。

    The phenomenon of literature-based calligraphic creation and the fusion of the calligraphic and literature has a great significance in the development of the calligraphy and art history .

  30. 字体组合是书法创作中的一个重要表现形式,认识字体组合对于当代书法创作是洵有裨益的。

    The combination of forms of printed character is an important express form in the creation of calligraphy , getting to know it is really helpful to the modern calligraphy creation .