蒙古族民歌

论鄂尔多斯蒙古族民歌形态

On the Forms of Mongolian Folk Songs in Erdos

蒙古族民歌是蒙古民族最精美、最典型的文化样式，是蒙古民族生存方式的艺术展示，因此对于蒙古族民歌的研究将会丰富人类艺术的宝库。

Mongolian folk songs are the most beautiful and the most typical style in Mongolian minority , it is the art exhibition of Mongolian way of life , thus the research of Mongolia folk song will abound human art treasure house .

蒙古族民歌是蒙古族音乐文化的重要组成部分。

Mongolian Folk songs are an important part in the Mongolian music .

鄂温克旗布里亚特蒙古族民歌田野调查

Field Research of Mongolian Buryat Folk Songs in Ewenki Banner

第一章是蒙古族民歌的发展脉络和内容分类，对蒙古族民歌作了界定，并且根据内容详细进行了分类。

The first chapter is the development contex and content classification of Mongolia folk songs .

幼儿园开展蒙古族民歌教育活动探析&以呼和浩特市蒙古族幼儿园为例

Carrying out Mongolian folk song education in kindergartens & taking Hohhot Mongolian kindergarten for instance

通过这些分析来研究蒙古族民歌与无伴奏合唱多声部音乐的最恰当结合方式。

The author tries to study the best way to combine the Mongolian ballad and the counterpoint without company .

第一节，从六个方面阐述了蒙古族民歌产生的民俗环境。

In the first section the writer explicates the custom environment for generating Mongolian folk song from six respects .

鄂尔多斯蒙古族民歌是鄂尔多斯传统音乐文化的主流，是整个区域文化的核心。

Mongolian folk songs in Erdos are the mainstream of Erdos classical music culture and the core of the regional culture .

文章阐述了科尔沁蒙古族民歌深刻的思想内容、独特的艺术形式及鲜明的地区色彩。

The paper explains the profound ideas , unique artistic forms and distinctive local color of the Mongolian folk songs in Korqin .

第一部分是对蒙古族民歌改编合唱音乐作品的作曲技法分析，也是全文的重点部分。

The first part is the analysis of the composing skills of rearranging the choral comp from ballad , which is the key part .

蒙古族民歌“变凡”音乐现象中隐藏着一种精确的规定性和严密的数理逻辑，并在蒙古民歌中发展到相当规范的程度。

I think the phenomenon contains certain accurate and rigorous Logic and it has developed to a very normative degree in Mongolian folk songs .

文章分析了青海蒙古族民歌的思想内涵和语言特点，了解这些特点，对于考察青海蒙古族的语言文化具有一定的借鉴意义。

The article analyses the internal connotation and linguistic character of Mongolian ′ s ballad . It ′ s significance to explore linguistical culture of the Mongolian in Qinghai .

从音乐特征上来看，五声音阶是其主要的音阶特征，通常采用单一调式，但也采用蒙古族民歌调式体系中常见的调式交替的旋律发展手法。

From the music features , the pentatonic scale of the scale is the main characteristics of the commonly used single-mode , but also a Mongolian folk-style system common mode melodies turn of the development practices .

在传唱的基础上进行必要的改编，以最求更好的艺术效应、挖掘更深层次的音乐美，是作曲家把蒙古族民歌改编的直接目的。

On the basis of the songs sung by people , the composer rearranges the Mongolian ballad . To get a better artistic effect and explore the deeper beauty of music is their direct aim of doing this .

本文则通过对作曲技法以及创作意义等方面的分析，对现阶段的蒙古族民歌改编合唱音乐作品做一个简单的梳理和总结，以期对以后的创作提供参考。

Through the analysis on composing skills , composing significance and other aspects , this paper has summarized the current choral comp rearranged from the Mongolian ballad and made a simple conclusion . I hope it can propose some suggestions towards the latter creation .

在改编的手段上，为了适应蒙古族民歌的风格，为了最大化的挖掘无伴奏合唱的魅力，作曲家们孜孜不懈的努力取得了良好的成果。

In terms of the rearranging methods , the composers have made arduous efforts in order to adapt it to the style of the Mongolian music and to explore the choral comp without accompaniment to its maximum extent and they have done a good job .

第二部分是对蒙古族民歌改编合唱音乐作品的意义从音乐创作，音乐教育以及民族音乐学的角度做深入分析。并提出现有的不足之处，希望取得更大的进步。

In the second part the author makes a thorough analysis of the significance of rearranging the choral comp from the Mongolian ballad in perspectives of musical creation , musical teaching and national music and puts forward the current deficiency so that we can have more progresses .

鄂尔多斯民歌是蒙古族传统民歌不可缺少的组成部分，其承载着鄂尔多斯地区历史文化的传承及特点。

Ordos folk songs are indispensable component of Mongolian traditional folk songs and carrying the heritage of historical culture and features in Ordos area .

宝音德力格尔的歌唱风格，体现着蒙古族乌日汀哆民歌之根本，即独具草原文化特色的歌唱心理与原生态歌唱风格的浑然天成。

Boyindelger ′ s Singing Style embodies the root of Mongolian " Wurdindu " folk songs with a very natural combination of the singing mentality and the " bioplast " singing style .

蒙古族是歌唱的民族，蒙古族民歌博大精深。

The Mongolian is a ethnic group of people who love singing ; its ballad is extensive and profound .

蒙古族长调牧歌与内蒙古西部地区的爬山调，在部分形态特征和表现内容上的相似性，体现了蒙古族民歌与汉族民歌的融合及其交流。

The similarity of the pastoral song to the mountain climbing song in the western part of Inner Mongolia shows the fusion and exchange of the Mongolian folk song and that of the Han .

第三部分《蒙古族风格少年钢琴组曲集》的独特创作手法。这部分将对这部组曲的创作手段，即如何将蒙古族民歌与钢琴艺术结合做一个总结。

Part III is the particular way how to composing of " Mongolian Youth Piano Cento ", i.e. , how to combine Mongolian ballad and art of piano .