燕乐

隋唐燕乐，历来被认为是隋唐音乐的一个较大部类，是隋唐宫延音乐的代表。

Yanyue , one part of the Sui and Tang music , has long been regarded as a representative of the royal court music .

宋代是中国古代音乐文化的转型期，受此影响，宋代宫廷燕乐的表演体制也发生了重大变化。

Song Dynasties were a period of transformation for music culture whose influence was that the performing system of the court banquet music in Song Dynasties was transforming accordingly .

词是随着隋唐燕乐的兴起而产生的一种新的文体。

Ci is a fresh writing style which was originated from Sui and Tang Dynasty .

指出燕乐词义的宽泛性和演变是导致相关问题争论不休的症结所在。

Pointing out the broad and evolution meaning of Yan Music is led to the Scholars debate .

词乃燕乐歌词是现代词坛的共识。

There is a consensus that ci poetry of the Tang-Song Dynasty is the lyrics of Yan Yue .

三是第一次将自宋至元的燕乐曲子按宫调进行了仔细的梳理。

Thirdly , it has put Yan Music in order from the Song Dynasty to the Yuan Dynasty attentively .

隋唐时期的雅乐虽规模宏大，但燕乐也在快速发展壮大。

Though Ya Music in Sui-Tang Period has very magnificent scope , Yan Music had been developing very rapidly , too .

全文共分为五章，从雅乐、清乐、燕乐及其歌辞等方面进行论述。

The dissertation is divided into five chapters totally proceeding the treatise from the Ceremonial Music , Qing Yue and Yan Yue and so on .

这种歌曲形式之所以盛行于唐代，是由于燕乐的高度发展，为“以诗入乐”提供了最为丰富的乐调源泉。

The song form is vogue in Tang Dynasty because of the development of Yan music , and it provides rich source for musical tune .

认为：燕乐风俗、歌妓制度是词之抒情主体转移的文化背景；

It is believed that the custom of court music and the system of singing-girls and prostitutes are the cultural background of the lyric subject shift .

唐代宫廷音乐繁盛，歌舞大曲成为这一时期的音乐代表。燕乐的发展推动了道教曲牌音乐的发展，使其迎来了初次的兴盛。

The prosperity of Yan Yue had promoted the development of tune in Taoist music , and ushered in the rise of it for the first time .

词体是中国诗歌发展至唐宋时期，伴随着当时流行的燕乐而产生的一种有着鲜明的外在语言形态和独特文化内涵的诗歌体裁。

Ci is a sort of the Chinese poetry genre , which has a distinct external morphology and a unique culture contents along with the Yan-yue in Tang and Song Dynasties .

研究宋代宫廷燕乐表演体制，对于认识宋代音乐文化的本质特征有着重要意义。

The study of the performing system of the court banquet music in Song Dynasties is valuable to the better knowledge of the essence and characteristics of music culture of that period .

唐音乐在立足汉族音乐的基础上吸收少数民族及外来音乐的精华，形成了辉煌的燕乐系统。

The music of Tang Dynasty based on the music of Han and absorbed elite from many minorities and foreign ones , and formed the brilliant music system of Tang which is called Yanyue .

本论文以燕乐二十八调的分类为视角，把典籍、古谱所记录的古今筝调归纳为“调系”和“均系”两个系统。

In this dissertation , the classification of Twenty-Eight Modes is used as an angle of view , Zheng modes in the ancient books and notations , are generalized the Diaosheng and Yungong system .

本文采用历史文献记载、地下出土文物以及民俗音乐资料三重互证的方法，对宋代宫廷燕乐表演体制进行了较为全面的研究。

With historical records , documents and literature , the uncovered relics and music materials of folk music as confirmation to each other , this thesis conducts an overall study of the performing system of the court banquet music in Song Dynasties .