本文认为，汉阙非独为汉代建筑艺术的形式，更重要的还在于，它是早期道教所追求的仙界的象征符号和人仙两界交通的神学媒介。
This paper holds that the Que is not only a kind of art of the time , but also a symbolic intermediary between the human world and the immortal one which the early Taoists want to enter eagerly .
汉阙