传统水墨

对于传统水墨画语言的再释读

A New Explanation of the Water and Ink Language in the Traditional Paintings

空白是传统水墨绘画的图式特征之一。

The blank is one of the form characteristics of the traditional Wash .

室内设计与传统水墨精神

Interior Design and Traditional Wash Painting Spirit

传统水墨画的装饰精神

The Decorative Spirit of Traditional Wash Painting

一些影片制作中采用了中国水墨画艺术，使中国的传统水墨画在荧屏上得到了再生。

In some cartoon movies , traditional Chinese ink-wash painting has been reproduced on the screen .

由此确定了笔墨在中国传统水墨画中的核心地位。

By that , pen and ink play the kernel part of traditional Chinese wash painting .

中国传统水墨画笔法和水彩画笔法都是构筑画作的基本元素。

Traditional Chinese ink calligraphy and watercolor strokes are to build the basic elements of the paintings .

传统水墨向现代转型的文化精神的断层和缺失

The Deficiency of the Cultural Spirit in the Passage from the Traditional Chinese Ink-wash Painting to the Modern One

中国传统水墨人物画从五代时期有了初步发展，至明清两代趋于成熟。

Five traditional Chinese ink figure painting from an initial development period to the Ming and Qing dynasties mature .

受到传统水墨山水画绘制技法的启发，我们提出了以纹理合成为基础的山水画系统仿真绘制算法。

Corresponding to the traditional skills of Chinese landscape drawing , a simulated texture-synthesis-based landscape rendering algorithm is proposed .

一贯专营传统水墨画的中国拍卖行，如今也开始在拍卖作品中加入当代实验艺术作品。

Chinese auction houses that once specialized in traditional ink paintings are now putting contemporary experimental artworks on the block .

传统水墨和民间艺术看上去憨厚、吉祥，立体表现的手法则使动物更为丰满。

Traditional ink painting and folk art look simple , honest , and auspicious , while dimensional expressionism makes animals more plentiful .

再次，对汲取传统水墨元素的中国水彩艺术语言进行了探索，以及和西方水彩进行比较。

Again , to derive the traditional ink element of Chinese watercolor art language , the method and western-style watercolors and comparison .

文章第四章结合有代表性画家的案例分析传统水墨人物画笔墨语言在当代新的表现特点。

Article IV combination of representative case studies of traditional ink painters Figure Painting language in the contemporary performance of the new features .

而且，在画面视觉效果的真实性与冲击力方面，中国传统水墨人物画也远不如西画来的强烈。

Moreover , the authenticity of the picture visual effects and impact , the Chinese figure painting far better than traditional ink paintings to the strong west .

因此，一些接受了西方绘画思想，具有前瞻眼光的画家提出了对中国传统水墨人物画的发展与改良的口号。

Therefore , some accepted ideas of Western painting , the artist has made forward-looking vision on the development of traditional Chinese ink figure painting slogans and improved .

在众多中国当代艺术家中，朱伟是极少的几位以传统水墨画诠释当代中国社会现状的艺术家之一。

Zhu Wei is one of very few Chinese contemporary artists to choose a classical artistic medium – ink and wash – to represent the social realities of modern China .

另一方面通过分析比较的方法，归纳出数字水墨动画和传统水墨动画之间一脉相承的传承关系以及二者各自表现出的特点和出现的问题。

On the other hand , in order to come down one continuous line between the traditional ink painting animation and digital , it will take analysis and comparison of methods .

通过介绍书法和传统水墨画笔法的表现形式、用笔特点、笔法类型等方面，论述当代水彩画笔法的运用。

Through the introduction of calligraphy and traditional ink painting technique of the evolution and manifestations , features pen strokes type , use pave the way for contemporary watercolor strokes are discussed below .

传统水墨画的线以书写形态熔铸于画面，使线承载了相当的内涵和意趣，具有了独立的审美品格。

The lines of the traditional wash were made in harmony with the menu in the way of writing , thus bore considerable content , meaning and the independent characteristic of the taste .

中国传统水墨画从构图、色彩、笔墨技法以及意境等方面，将对中国现代平面设计的发展增添丰富的养分。

From the composition of traditional Chinese ink painting , color , pen and ink techniques , and mood , etc. , will be the development of modern Chinese graphic design adds rich nutrients .

当游客驻足茶树之间，远眺山峦之外，中国传统水墨画般的美景便映入眼帘，只见山间云雾缭绕、森林郁郁葱葱，桥梁农舍古色古香。

When visitors plant their feet beside tea bushes and peer out beyond the hillside , a classic Chinese watercolor of misty hills , lush woodlands , ancient bridges and traditional farmhouses comes into view .

在水墨性上，一方面对传统水墨语言进行自由撷取，一方面对其他画种或艺术形式采取目的性的融合吸收。

On the one hand , they pick up the language of traditional ink and wash freely . On the other hand , they have an intentional fusion and absorption of other forms of art .

在中国古典哲学与审美观念下传统水墨人物画的形成完整而自恰的绘画图式语言系统并按其自律性得以不断的发展。

In China under the concept of classical philosophy and aesthetic tradition of Figure Painting Since the formation of complete and appropriate painting schema language system in accordance with the development of self-discipline to continue .

传统水墨画以笔墨作为主要造型手段，是有其独特的思想渊源和历史渊源的，当然这也与笔墨自身的特征不可分割的。

As a result of having a unique origin of ideology and history , of the feature of Pen and Ink , Chinese Traditional Ink Painting regards " Pen and Ink " as its key plastic method .

传统水墨绘画以空白作为一种主要的空间表达方式，是有它其独特的图式渊源和思想渊源的，当然这也与空白自身的特性不可分割。

Not only can it trace back to some particular sources of forms and conceptions , for the traditional Wash 's expression technique of the Blank , but it has crucial relations with the Blank 's own characteristics .

我们完全可以感受到在笔韵、墨韵及青花的料韵方面，青花艺术与水墨画艺术的相通性，它与我国传统水墨画有异曲同工之妙。

We can feel in the pen , ink rhyme rhyme and blue-and-white material charm , porcelain art and painting art of the similarities , it and traditional Chinese painting are all different approaches but equally satisfactory results .

水彩画不发挥水的长处比不上油画的力度；不发挥水与色结合的特点，比之中国传统水墨画的神韵又见逊色。

Watercolor painting does not play to the strengths of the water than oil ; Do not play a combination of water and color characteristics , than the charm of Chinese traditional ink painting and see less of .

如若说上世纪的“水墨艺术”是一部中国传统水墨艺术的改良史，倒不如将其理解为由“现代化”所主导的一部开放式的“观念史”。

We 'd better interpret the " ink painting art " of the last century to be an open " history of ideas " led by the " modernization ", instead of a history of amelioration of Chinese traditional art .

基于传统水墨画形式独特的绘画艺术语言，引起了现代设计师们的高度重视并且深刻影响了中国当代设计师的创作思维。

Traditional water-ink paintings with a long history , through long-term development has formed its own unique art language , caused the attention of the modern designers and a profound influence on the Chinese contemporary designer of the creative thinking .