书法研究
- 网络Studies in Calligraphy
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渐渐地,书法研究者首先发现了汉字的最小结构单位&笔画。
Gradually , Chinese calligraphy first discovered the smallest structural units - strokes .
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敦煌遗书中的行草书法研究
A Study on the Grass and Free Style Calligraphy in Posthumous Writings of Dunhuang
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北魏时期敦煌写经书法研究
The Study on the Calligraphy of Transcribing Buddhism Scriptures of Dunhuang in the Northern Wei Dynasty
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虞集书法研究
The Study on YuJi 's Calligraphy
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因为这种身份的特殊性和模糊性,他们往往把书法研究,纳入到礼仪文化或道统领域内。
Due to the specialty and ambiguity of their identity , they put their calligraphy under the rules of Confucianism .
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继承发扬这种人文学术品格对于当下的书法研究具有深远的意义。
Therefore , it is of deep significance for the current calligraphy study by carrying out this humanistic and academic feature .
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目前对硬笔画、软笔画和书法研究较多,鲜见对毛笔绘画机器人的研究。
Hard strokes , soft strokes and calligraphy were researched widely , but the research on brush drawing robot was rare .
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在这一部分中,阐述了选题的意义及自南朝至今人们对魏晋书法研究的历史,作了总体的概括。
In this section , the significance of the study and self-awareness of the Wei-Jin Dynasty calligraphy is explained which has made an overall generalization .
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20世纪以来,书法研究者常常以沈曾植为碑学大家,在一定程度上忽略了他在帖学方面的成就。
Investigators have usually treated Shen as a great master on " Bei " School , but ignored his achievements on " Tie " to some extent since 20th century .
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笔法的创新和风貌的独特对书法研究有着重要价值,为后人的学习和研究提供了极好的范本。
The innovation of the vigor of style in writing and the uniqueness of the font are valuable in the study of calligraphy , and provide us an ideal paragon for learning and study .
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王世贞书法观研究
A Study on Wang Shizhen 's Thought of Chinese Calligraphy Critique
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隋代书家群社会结构与书法观念研究
On Social Structure and Ideas of Calligraphers in Sui Dynasty
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文化同源:中国武术与中国书法比较研究
Culture Homology : Chinese Wushu and the Comparative Study of Chinese Calligraphy
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《西狭颂》与东汉书法文化研究
Ode to Xixia and Research on Calligraphy Culture of the East Han Dynasty
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基于人地关系的书法地理学研究
Geographical research on Chinese calligraphy with special reference to man and land relationship
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采用自回归模型的计算机书法的研究
Computer Calligraphy Based on Autoregressive Model
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计算机书法的研究
Study of Computer Calligraphy
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书法创新研究
Study on Calligraphy Innovation
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绪论部分对敦煌书法的研究现状进行总结概括,并解释了本文研究角度选取的原因。
Introduction to summarize it , part of the Dunhuang Research calligraphy and explain the reasons for the selection of the perspective of this study .
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在纵观25年以来,关于陈洪绶的研究著作之后,选取前人未涉及的关于陈洪绶诗文、书法的研究。
Throughout 25 years in , after the research work on the shou , selected on the previous did not involve shou poetry , calligraphy study .
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敦煌遗书中行草书法的研究,对中国书法史和敦煌学的研究都具有重大的、积极的意义。
The study of free and grass script in Dunhuang posthumous writing is of great importance to the history of Dunhuang calligraphy and the study of Dunhuang .
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本文为清初四僧之一的石涛绘画题跋书法专题研究。石涛是一个极其复杂的人物。
This thesis provides a monographic study on the works of calligraphy by Shi Tao , one of the " Four Monks " in the early Qing Dynasty .
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该文以清代馆阁体书法作为研究对象,通过对这一书体的存在和盛行的社会依据进行较为细致的考察,试图揭示清代馆阁体书法的官方实用性具体的文化内涵。
This essay takes Guangeti calligraphy in Qing Dynasty as the object of research , tries to reveal the content of official practicability of Guangeti calligraphy and its social grounds .
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本文试图对金石学者的大量有关书法的研究成果进行了力所能及的收集、梳理,希望能够从宏观上对这一问题有所推进。
This paper attempts to strive to collect and sort out quite a lot of Epigraphers ' research achievements of calligraphy within its energy , and hope to put this problem forward from macroscopic viewpoint .
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最后得出结论,篆书艺术的发展历程始终贯穿着形式秩序的建构的历程,为书法史研究提供一个新的视角。
Finally , the conclusion should be that , the process of constructing order has always been along with the development history of Seal arts , which provides a new perspective to the History of Calligraphy .
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利用简牍帛书上的文字材料进行书法史研究,探索书法创作,具有广阔的前景,但必须有科学的态度和方法。
It is of bright future to study the calligraphic history and to explore the calligraphic creation with the help of script materials from wooden and bamboo slips and silk . But scientific attitudes and methods are necessary .
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研究者探讨了对中国传统书法审美研究的过程中,引进西方审美心理学理论的意义和可行性问题,认为应该以中国传统书法理论为根本,与西方理论进行对接。
The researcher discusses the feasibility and the value of introducing the western aesthetic psychological theories into the aesthetic research of Chinese traditional calligraphy . The researcher believes that there must have a way only when insist the take the traditional calligraphy culture as the root .
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可惜的是,没有一个团体走书法发展与研究的路线。
However , none of these new organisations is research and development based .
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中华武术与书法的比较研究
A comparative study of Chinese Wushu and calligraphy
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古代书法批评模式研究正是为了寻找这样一种契机。
The study of ancient critical modes is trying to search for such a chance .