哈莱姆文艺复兴

兰斯顿·休斯（1902-1967）是20世纪20年代的哈莱姆文艺复兴运动（HarlemRenaissance）中重要的作家及思想家，是20世纪乃至21世纪美国最伟大的诗人之一。

Langston Hughes ( 1902-1967 ) is an important writer and thinker of the Harlem Renaissance in the 1920s , and one of the greatest American poets in the 20th and the 21st century .

哈莱姆文艺复兴的文学特色及对美国黑人文学的贡献

The Literary Features of the Harlem Renaissance and its Contribution to Afro-American Literature

哈莱姆文艺复兴期间的文艺论战

On the Artistic Polemic during the Harlem Renaissance

哈莱姆文艺复兴的缘起及其同美国主流文学的姻联

The origin of Harlem Renaissance and its relationship with the mainstream of American literature

新黑人作家的两难抉择和哈莱姆文艺复兴的二重性

The Dilemma Facing the " New Negro " Writers and the Dual Character of the Harlem Renaissance

兰斯顿·休斯作为黑人民族的代言人与代表着黑人文艺复兴的哈莱姆文艺复兴有着千丝万缕的联系。

Being the spokesman of the black masses , Langston Hughes had boundless connection with the Harlem Renaissance .

另一方面，哈莱姆文艺复兴期间以及之后的布鲁斯热潮影响了一代美国黑人。

On the other hand , the blues craze during and after the Harlem Renaissance influenced a whole generation of black Americans .

它不但以艺术的方式重写了一段美国历史&哈莱姆文艺复兴，而且还承载着莫里森独到的历史观。

It keeps a record of part of American history , Harlem Renaissance , through which Morrison 's original understanding of history is revealed .

哈莱姆文艺复兴的灵魂人物&兰斯顿·休斯是美国黑人文学史上一位举足轻重的作家。

As the soul of the Harlem Renaissance , Langston Hughes is regarded as the most important black artist in the Afro-American literary history .

哈莱姆文艺复兴是从文化的边缘地带开始的，他们的声音最终被主流文化所接纳。

The Harlem Renaissance figures started from a position on the margin , but their voices were eventually heard and felt by the cultural mainstream .

《土生子》则是美国黑人作家赖特的一部现实主义力作，代表了哈莱姆文艺复兴的最高成就，亦可称作为黑人争取权益的宣言书。

Written by American black writer Wright , Native Son is a masterpiece of realistic literature . It represents the highest achievement of Harlem Renaissance .

第一章主要介绍哈莱姆文艺复兴，以及休斯在黑人美学家杜波依斯影响下产生的美学观点。

Chapter One mainly focuses on the great black intellectual movement-the Harlem Renaissance , and then briefly introduces Hughes ' black aesthetics founded under the influence of W.

作为哈莱姆文艺复兴时期最具影响力的作家之一，内拉·拉森同样也是第一位获得古根海姆奖学金的非裔女作家。

As one of the most influential figures in the Harlem Renaissance , Nella Larsen was the first African American woman who was awarded a Guggenheim fellowship .

被誉为黑人女性文学之母的左拉·尼尔·赫斯顿是哈莱姆文艺复兴时期杰出的黑人作家之一。

Zora Neale Hurston is universally acknowledged as the Mother of Black Female Literature and she is regarded as one of the greatest writers during the Harlem Renaissance .

兰斯顿·休斯是二十世纪美国黑人文学史上一位举足轻重的艺术家，也是新黑人文化运动即哈莱姆文艺复兴中最重要的作家和思想家之一。

Langston Hughes is an important writer and thinker in the New Negro Movement or Harlem Renaissance as well as a great American black artist in the twentieth century .

但在哈莱姆文艺复兴运动之后，文艺界以黑人男作家充满种族冲突的“抗议文学”占主流，赫斯顿及其塑造的黑人女性新形象湮没在历史的尘埃中。

After the Harlem Renaissance , the black men writers ' " protest literature " that are full of racial conflicts occupied mainstream , Hurston and her positive black women images were neglected .

本文通过对几位主要作家及其作品的具体评析，指出他们的两难抉择，并阐明哈莱姆文艺复兴的二重性。

This paper explores the dilemma these writers faced in reference to their representative works , and goes on to expound further what it sees as a dual character of the Harlem Renaissance as a whole .

20世纪20年代的哈莱姆文艺复兴，20世纪30年代的抗议文学，20世纪70年代以黑白融合为特征的文学，分别代表了美国黑人文学发展中的三次高潮。

The " Harlem Renaissance " in 1920s , the " Protest Literature " in 1930s and the literature featuring fusion between white and black cultures in 1980s are the three flowering periods in African American literature .

纵观哈莱姆文艺复兴时期的美国黑人女性文学，我们发现一个脉络清晰的主题：黑人女性在种族压迫、性别歧视和阶级压迫三重枷锁中以自己的方式和途径艰难而又勇敢地追求自我。

Taking a look at Afro-American Women Literature during Harlem Renaissance , we find a perspicuous theme : black women bravely and industriously pursued their self through their own ways under the pressures of racial oppression , sexual discrimination and class exploration .