佛教雕塑

论佛教雕塑东来以后造像造型的根本变因

On the East after the Buddhist Statues Sculpture a Fundamental Change Shape Due to

宗教雕塑，特别是佛教雕塑是中国古代雕塑最主要的部分，也是艺术水平最高的一类。

Religious sculpture , especially the ancient Chinese Buddhist sculpture is the most important part of sculpture , but also the highest artistic level of a class .

本文试图从雕塑的表现对象、表现手法、雕塑与环境的关系，以及它们内在蕴含的美的理想等四个方面对宋代佛教雕塑与希腊古典雕塑展开比较研究。

The paper aims to carry out comparison study between Buddhism sculpture of China Song Dynasty and ancient Greece sculpture from four aspects including the objectives , the methods , the relationship with the environment and the internal beauty ideality .

鉴真东渡对日本佛教、建筑、雕塑、医药、文学、饮食等方面的发展作出不朽贡献，产生深远影响。

JIAN Zheng 's east-crossing has made immortal contributions to the development of Buddhism , architecture , sculpture , medicine , literature and diet in Japan .

佛教造像同西方雕塑艺术一样，具有空间上的量和度且需要大量人力财力的投入。

Like Western art , Buddhist statue owns certain volume and range and requires a large amount of labor and money , which makes the statue-constructing a massive project .

印度对于中国雕塑艺术的影响自佛教在两汉之际传入中国就开始了，经历千年的传承演变逐渐势微，至元代时，汉传佛教的雕塑艺术已然衰落。

Indian influence has had an effect on Chinese sculpture since the time Buddhism was introduced to China during the Han Dynasty . After evolving for nearly a thousand years in China , the inland Buddhism sculpture artwork was on the decline as the Yuan Dynasty approached .