书风

这种经世致用的思想直接影响了中唐书风的形成并对后世影响深远。

The thought " learning from the world to apply it " has direct influence on the formation of the calligraphy style in the mid Tang Dynasty and far into the later generation .

所以，唐初的书坛自然为王羲之书风所笼罩。TTU标模及平顶罩棚类低矮建筑的风洞试验研究

Almost all calligraphy works of the early Tang Dynasty were influenced by Wang Xizhi . Wind-Tunnel Investigation of TTU Standard Model and the Flat Canopied Low-rise Buildings

流行书风的内在特征与形成原因

Internal Features & Formation Reasons of " Popular Calligraphic Style "

其次，书风的统一性。

Secondly , the unity of the book style .

在多方因素综合作用下，清代中晚期碑派书风崛起。

In many factors effect , the qing dynasty middle-late tablet sent book wind rise .

这种新体书风影响了东晋以后的绝大部分书家。

The new body style of the book since most of the Eastern Jin Dynasty calligrapher .

书风发展进入一个新的历史时期。

And accordingly , the artistic style of the calligraphy stepped into a new historical era .

本论文围绕流行书风与当代大众文化而展开。

This thesis is an in-depth study of the pop-style calligraphy and contemporary mass culture in China .

而这种书风正好迎合了扬州八怪这股艺术思潮的艺术审美。

This book wind just to meet the " Eight Wonders of Yangzhou " the art aesthetic .

历经四十届之比赛，其中产生了特殊之书风现象。

The contests that had been held for forty times produced a special phenomenon of calligraphy trend .

秦代刻石与简牍上的书法分别反映了贵族与平民书风。

Qin Dynasty Stele with bamboo slips on the calligraphy reflected the characteristic of nobility and civilian .

杰出的书法家和理论家傅山是这场书风大变局中的一员主将。

A dominant force in this school was the eminent calligrapher and art theorist Fu Shan ( 1607-1685 ) .

所谓时代书风，就是能体现那个时代书法艺术总体精神面貌的书风。

The so-called era of calligraphic style that embodies the overall spirit of that era calligraphy style book face .

而书体的发生又是书风持续衍变的必然结果。

But the occurrence of the calligraphy style is also the inevitable result which the font continues to evolve .

明代晚期，典型的浪漫主义书风发展并最终达到高峰。

The late Ming Dynasty , calligraphic style typical of the development of romanticism and eventually reached a peak .

而随着篆隶书体的逐步繁荣，碑派书风亦走向成熟。

Following the gradual prospering of seal script and clerical script , calligraphic wind of stele school matured as well .

从大陆迁台书家的创作看民国书风的延续

Continuation of Calligraphic Styles of Republic of China & A Case Study of Calligraphers ' Works after Moving to Taiwan

因此，本文着重针对此后之台湾书风现象作探讨。

So , this article focuses on researching the artistic styles and phenomenon of the calligraphy art creations in Taiwan since then .

文章论述的重点是两种书风的融合问题，这也是本文的学术价值之所在。

The key point of this article is the integration of two trends , which is also the academic value of this article .

其画风特点是雄健、憨厚、朴实、自然；其书风是清新、豪放、韵味十足。

Its characteristic is honest , humorous , guileless , powerful and natural , The book is pure and fresh , bold and unconstrained , lasting appeal .

文化具有传承性和相互渗透性，敦煌艺术中的行草书法必定会受到那个时代流行书风的影响。

Culture is the heritage of the former generation and would be influenced and penetrated each other , it will definitely be affected by the prevalent style of calligraphy .

在张弼的影响下，一个善草书的群体沿坡而起，对提倡个性书风的发展有着重要的作用。

Under the influence of Zhang Bi , a good cursive groups along the slope , to promote the personality Book wind has an important role in the development .

在这个时期，新加坡能够以发展‘南洋画派’闻名，却没法发展‘南洋书风’。

During this period , while Singapore was famous for evolving the Nanyang Style of Painting , it had not been able to develop a Nanyang Style of Chinese Calligraphy .

流行书风、民间书法有其存在的合理性，也应有其探索发展的空间。

The " spreads the calligraphy custom to " ," folks calligraphy " contain the rationality of its esse , and also should have its quest the space that develop .

广西书坛八桂书风的构想与推出，并作为广西的一个文化品牌加以培育，这是值得广西书法界庆幸的大事。

Guangxi calligraphists ' artwork fair " BaGui book wind " idea and launch , and as a culture of guangxi brand to foster , this is worth guangxi calligraphy event .

南风温柔地吹来。多言的鹦鹉在笼里睡着了。所以，唐初的书坛自然为王羲之书风所笼罩。

The breeze of the south comes gently . The noisy parrot sleeps in its cage . almost all calligraphy works of the early Tang Dynasty were influenced by Wang Xizhi .

初唐时期的书法界渗透着王羲之书风的深刻影响，此种风尚的发展起源于南朝特别是萧梁时期文化的转变。

Wang Xizhi 's calligraphic style has a profound influence on calligraphy circles of early Tang dynasty , which originated from a cultural change of Southern dynasties especially the Liang dynasty .

帖学在延续传统二王书风的同时继续发展，但无法企及前代的创作高度。

Quote the renewal of learning the traditional " two King " book while the wind continued to develop , but can not match the creation of a high degree of the previous generation .

“流行书风”不排除传统，注重个性发展和自我情感张扬，具有群体可接受性；

The " spreads the calligraphy custom " not expel the tradition , it to make a point of the character to develop to make open , have the community accept-ability with ego emotion ;

新世纪之初书风仍趋多元，书法创作将会持续高度繁荣，新一轮书法艺术高峰期已经到来。

In the early 21st century , the style of Chinese calligraphy is still going in a plural direction . After a continuous prosperity of the calligraphic creation , a new peak of Chinese calligraphic arts will certainly come .