青铜艺术

  • 网络bronze art
青铜艺术青铜艺术
  1. 浅议青海地区的史前青铜艺术

    Shallow Discussion on the Prehistoric Bronze Art of Qinghai Area

  2. 拟容取心象其物宜&中国商周时代青铜艺术的形式魅力

    The Formal Charm of Bronze Art of Shang Dynasty and Zhou Dynasty

  3. 浅探先秦时期青铜艺术的表现

    The Art of the Pre-Qin Period Bronze Vessels

  4. 青铜艺术的产生发展及变革

    Appearance , Development and Revolution of Bronze Art

  5. 中国青铜艺术,是当时人们思想观念的艺术再现。

    People 's thoughts and ideas of that period were artistically manifested through the bronze art .

  6. 大型锡青铜艺术件的生产实践

    Production of Large Bronze Art Pieces

  7. 试探魏晋南北朝青瓷与青铜艺术的关系

    Preliminary Investigation on the Relation between Celadon and Bronze in the Wei , Jin and South-north Dynasties

  8. 我国的青铜艺术,商周时期为第一个高峰期。

    The bronze art of Shang Zhou period was the first pinnacle to that of our country .

  9. 商周青铜艺术既具有地方性,又是作为文化体系的艺术。

    As a part of the Chinese cultural system of that period , the bronze art displays distinct local features .

  10. 第一节概述东周以后青铜艺术生存环境的变化。

    Section One summarizes the changes in the environment of existence of the bronze art after the Eastern Zhou Dynasty .

  11. 匈奴青铜器不仅是北方少数民族艺术的重要组成部分,同时也是中国青铜艺术中独具特征的艺术类型。

    Bronze is not only king of the north minority important component of the China also bronze art unique characteristics of the Arts .

  12. 据此,本章首先讨论生存地域、气候以及物产和青铜艺术之间存在的必然联系。

    This chapter first discusses the logical relationships between the bronze vessels and the geographical conditions , climate and produces of their places of origin .

  13. 中国古代北方民族创造了以各种动物纹饰为主要特色的青铜艺术,为后世留下了精美的艺术遗产。

    The ancient northern nationalities of China created the decorated bronze art with various animal patterns and left the afterworld their fine and beautiful art legacies .

  14. 第二节讨论商周贵族身份体系的解体、青铜艺术身份认同功能丧失的过程,以及与之相应的世俗化后果。

    Section Two discusses the disintegration of the peerage of Shang and Zhou Dynasties , the loss of the identification functions of the bronze art and its consequent secularization .

  15. 奴隶社会的夏商周是青铜艺术的辉煌时期,这些青铜纹饰也主要是由线条构成的。

    It was in Xia , Shang , Zhou periods in Slave Society that the bronze and developed brilliantly , and the bronze decorative pattering were mainly composed of lines .

  16. 第二章引入现代符号学的理论,从符号的概念和形成条件出发,阐述了商代青铜艺术所具有的符号特征;

    Chapter two introduce the modern Semiology theory , then proceed from the concept and forming of the symbol , to explain the symbol characteristic of bronze arts in Shang dynasty ;

  17. 文中对各类服装中关于青铜艺术在服装设计中的应用进行了分析,另外还特别提出了类青铜服装设计的概念,参照这些作品进行创新理论研究和设计实践。

    Based on the existing bronze art in the clothing design of application examples are presented based on the kind of bronze feeling fashion design concept , with reference to these works innovative research .

  18. 第七章结合实际对商代青铜艺术的现实意义进行了分析,并延伸至现代设计领域,阐明造型艺术感受能力在现代艺术与设计中的重要性。

    Chapter seven analyze the realistic meaning of bronze art of Shang dynasty , and extend to modern design field , expound the importance of experience ability for plastic arts in modern art & design .

  19. 青铜艺术留给我们的不仅仅是稚拙、静穆、狞厉的艺术美感,其背后蕴藏着的丰富文化背景同样值得我们去深刻的挖掘和利用。

    Bronze art left us is not only the plain and clumsy , solemn and quiet , Ning li of artistic beauty , its behind contain rich cultural background also is worth us to mining and utilization .

  20. 通过调整转移涂料的各种性能来满足青铜艺术铸品的各种要求,最终将转移涂料精密成形技术与青铜艺术铸造有机结合在一起,为艺术铸造开辟了新的途径。

    Through adjusting properties of the coating to meet the requirement for bronze art casting , a newly developed art casting is opened up by using the transferred coating for precision forming technique in combination with bronze art casting .

  21. 中国奴隶社会等级制度的鼎是人和神相通的器物,即青铜艺术礼器。

    The tripod , a symbol of the rank system in the slave society of ancient China , is a vessel of bronze art connected God with man , which is used for some significant sacrifice in ancient China .

  22. 三代青铜器庄严厚重,崇高壮美的审美情感代表了中国古代青铜艺术的整体艺术风格,是我国古代文明的象征;是中华民族博大精深的文化内涵和民族精神的体现。

    Three genera-tion of bronzewares dignified sincere , the lofty sublime esthetic emotion has represented China ancient times the bronze art overall artistic style , was our country ancient times the civilized symbol ; Is Chinese nation broad and profound culture connotation and national spirit manifestation .

  23. 转移涂料法在青铜浮雕艺术铸造中的应用

    Application of Transferred Coating for Art Casting of Bronze Cameo

  24. 从青铜器的演变过程解读青铜时代的艺术美

    The Evolution from the Bronze Age to the Bronze Age Art of Interpretation of the Beauty

  25. 最糟糕的是,这一反应破坏了青铜雕像家艺术中的精妙之处。

    At its worst , the reaction destroys the fine detail of the bronze caster 's art .

  26. 中国古代北方民族青铜饰牌艺术&豹形纹扣饰的形式语言赏析

    Approach Art of Decorative Bronze Plate from Northerner in Ancient China & Appreciate Form Language of Leopard Pattern on Buckle

  27. 山西出土先秦青铜乐钟的艺术学研究

    The Artistic Studies of Pre-Qin Bronze Bells Unearthed in Shanxi

  28. 鄂尔多斯青铜牌饰的艺术特征

    The Artistic Features of Ordos Decorative Bronze Plate

  29. 古代的青铜文物不但在艺术方面的成就令人惊叹,其铸造工艺也使后人为之折服。

    The ancient bronze vessels are admired by posterities not only on art achievement but also on casting technique .

  30. 本文对其艺术造诣和科学工艺进行分析,并提出三星堆青铜雕塑突出的艺术个性和美学价值。

    The present paper analyzes their artistic attainments and scientific proceedings and emphasizes their outstanding artistic individuality and aesthetic value .