青春偶像剧

  • 网络youth idol drama
青春偶像剧青春偶像剧
  1. 青春偶像剧的狂欢与迷茫

    The Revelry and Puzzle of Youth Idol Drama

  2. 红色青春偶像剧的首要特征在于,打破了领袖人物脸谱化的审美定势和模式,从人物形象上对叙事对象进行重新塑造。

    Red youth idol drama to break the Aesthetic tendency and pattern profiling leaders , re-shaping the characters of the narrative object .

  3. 我说不够。所以说,中国目前还没有青春偶像剧。

    I said enough . So , China is not youth idol .

  4. 中国青春偶像剧的现状及发展方向

    The Present Situation and Developing Tendency of China Idol Films and TV Plays

  5. 对当前青春偶像剧的危机性透视

    Crisis inspection of present Youth Icon Opera

  6. 将爱情进行到底韩国青春偶像剧叙事策略浅析

    Love to the End & on the Narrative Strategies in Making Youth Dramas in South Korea

  7. 而作为电视剧类型大军中的重要一支,青春偶像剧也不能偏离这一轨道。

    As one type of television drama , the youth idol play cannot deviate this track .

  8. 14岁时,她因出演青春偶像剧《我所谓的生活》而开启了成名之路;该剧虽然短命,却倍受赞誉。

    Her route to fame began , aged 14 , with the short-lived but long-admired teen drama My So-Called Life .

  9. 受日韩影响,近些年我国的青春偶像剧逐渐发展起来。

    Affected by Japan and South Korea , the youth idol play of our country is developed gradually in recent years .

  10. 愉悦的焦虑&青春偶像剧的文化心理分析

    Hospital culture is an important position in hospital . Anxiety of Pleasure & Cultural psychological analysis of TV series of the youth idols

  11. 首先对中国内地优秀的本土化青春偶像剧做文本分析,展现这些作品的成功之处。

    First , the localization of the Chinese mainland youth idol good to do text analysis , to show the success of these works .

  12. 革命历史题材影像表达的新坐标&解读红色青春偶像剧《恰同学少年》

    The New Coordinates of Video Representation for the Themes of Revolutionary History & Decodes the Red Youth Idol Script " Just When We Were Young Pioneers ";

  13. 在青春偶像剧华丽精致的现代爱情故事背后,充斥着一种男性的观看意识,剧中的一切都以满足男性的视觉愉悦为旨归。

    Behind the delicate and magnificent love stories of modern youth idols , a masculine perspective is conceived , which aims to satisfy man 's visual pleasure .

  14. 从美育视角解读红色青春偶像剧《恰同学少年》后结构主义视阈下我国当代青春文学解读

    A Tentative Study of Red Youth Idol Drama Just When We Peers Were Young from the Aesthetic Perspective Analysis of Chinese Contemporary Literature From Perspective of Post-structuralism

  15. 第四、第五部分为本论文的重点章节,第四部分用传播学理论对韩剧最常见的两大类型:家庭伦理剧和青春偶像剧进行解析;

    The fourth chapter explains as the most common two styles of Korea TV drama program , family TV drama program and youth idol TV drama program according to communication theory .

  16. 本文首先对国产青春偶像剧的产生与发展进行简单的梳理,对青春偶像剧的定义、特征和分类进行了阐述。

    This paper firstly on domestic youth idol plays production and development of simple comb . To youth idol plays the definition , characteristic and classification is discussed in this paper .

  17. 其次剖析了中韩青春偶像剧的差别,并从文化传统、现实环境和受众心理等角度分析差别存在的原因。

    Second , analysis of the differences in the Han youth idol , and from cultural tradition , reality and psychological point of view of the audience the reasons for differences exist .

  18. 赵宝刚对情景喜剧、言情剧、青春偶像剧这三种商业类型剧进行了成功的本土化改造,使得它们更贴近中国的现实国情,更符合国人的欣赏口味。

    Zhao Baogang made the localization transformation of sitcom , romance TV series and youth idol TV series successfully which going more with the realistic circumstance of China and matching the taste of Chinese people .

  19. 红色青春偶像剧《恰同学少年》取得了良好的社会反响,它最大的亮点是将革命历史题材的宏大叙事与青春偶像剧清新唯美的艺术形式进行了成功结合。

    The red youth idol drama Just when We Peers Were Young has gained a warm response from the market due to the successful combination of grand narrative of revolutionary history theme and fresh aesthetic .

  20. 中国青春偶像剧水平参差不齐,既有本土化色彩突出、制作精良、艺术手法独特的精品,也有一味通过宣传造势,模仿、翻拍已经成功作品的偶像剧。

    Uneven level of youth idol in China , both the localization of color highlight , well , unique artistic quality , but also through the campaign trail blindly imitate a photographic work which has been successful idol .

  21. 中国青春偶像剧不像历史剧、家庭伦理剧一样是中国本土化电视剧类型,而是上世纪90年代从日韩引介的一种电视剧类型。

    Unlike the Chinese historical drama , family ethics , which are the Chinese localization of TV drama type , but the last century , Japan and South Korea 90 years , youth idol is from the introduction of a drama type .

  22. 针对调查数据的显示,本文首先对最受观众喜爱的韩国青春偶像剧的创新之处进行了分析,找到了它的创新点,以此来找到我国目前所存在的差距。

    In view of the investigation data display , In this paper , first , analyzed the innovation of the most popular , Korean youth idol , found the innovations , In order to find the gap existing in our country at present .

  23. 本文对好莱坞漫画改编电影与台湾地区改编自日本漫画的青春偶像剧的市场状况及类型特征进行了分析,并揭示了促成漫画改编影视剧发展的诸多原因。

    The marketplace situation and type characteristic the main body of a book is adapted to Hollywood cartoon reorganization film and Taiwan area from Japan cartoon youth image drama have carried out analysis , have joined a lot of cause having revealed favour cartoon reorganization movie and TV drama developing .

  24. 虽然平时也爱看青春偶像的肥皂剧!

    Although usually also like to watch the idol of youth soap opera !