西厢记

xī xiānɡ jì
  • The Romance of West Chamber
西厢记西厢记
  1. 《西厢记》在韩国的传播与接受

    The Spread and Acceptance of The Western Chamber in Korea

  2. 画工与化工&论《琵琶记》与《西厢记》塑造人物的差别

    On the Difference in the Characterization of Pipa Story and Xixiang Story

  3. 到了18世纪,文人们对《西厢记》故事已非常熟悉。

    And it was popular in literati in the 18 th century .

  4. 同中有异,异曲同工&《仲夏夜之梦》与《西厢记》结构比较结构强度的模糊可靠度

    Structure Comparison Between Fuzzy Reliability of the Strength of Structure

  5. 《西厢记》戏剧冲突动因新论&人物间诚信与失信的性格矛盾

    A New View of the Conflict in West Chamber : Honesty against Dishonesty

  6. 《西厢记》《牡丹亭》女性意识之解读

    Interpretation to Feminine Awareness of The Romance of West Chamber and Peony Pavilion

  7. 论《西厢记》喜剧情节的构成特征

    On the Characteristics of Xi Xiang Jis Comic Plot

  8. 而《西厢记》恰恰既反映了人们审美经验的一致性又反映出审美的变化性。

    The Romance of Western Side reflects the coherence and changes of aesthetic experience .

  9. 试论《西厢记》在明清时期的舞台演出

    The Performance of the Western Chamber in the Stage of Ming and Qing Dynasties

  10. 隐性的遥契:《西厢记》与《伪君子》的叙事话语叙事性与咏叹调&以普契尼两首歌剧咏叹调为例

    The Narrativity and Aria & Taking Roberto Puccini 's two opera arias for examples

  11. 《西厢记》金评的叙事理论研究

    The Study of Narrative Theory about Jin Shengtan 's Criticism in the West Chamber

  12. 论《西厢记》中老夫人的艺术形象

    On the Art Figure of Lao Furen

  13. 如果删除《西厢记》里的不雅文字,读起来就没那麽有趣了。

    Story of the West Wing , it wouldn 't be as interesting a book .

  14. 至情超逸传统意识的叛逆女性&《西厢记》与《牡丹亭》之比较

    The Rebel Female with the Traditional Consciousness

  15. 从读者反映论见英译《西厢记》中的文化因素的应对策略

    From Readers ' Response To Explore Cultural Factors in Translation in Romance of the Western Bower

  16. 由《莺莺传》和《西厢记》看唐人婚姻门第观

    And Western Chamber looks at the Chinese marriage family status view by " Hawk Hawk Biography "

  17. 第二章主要探讨研究明清两代有关《西厢记》作者诸种说法及其相关意见,归纳总结了《西厢记》作者曾有先后六种说法出现。

    Chapter Two mainly discussed various views and related opinions about the author of The West Chamber .

  18. 明清昆曲《西厢记》音乐的初步研究

    A Preliminary Study on Musics in the Kunqu Opera the Western Chamber in Ming and Qing Dynasties

  19. 第四章评价明清《西厢记》风格论及存在的问题。

    Chapter Four talked over the style criticism of The West Chamber in Ming and its remained questions .

  20. 论元杂剧《西厢记》的结局

    On the Ending of The West Chamber , A Zaju ( A Poetic Drama ) in the Yuan Dynasty

  21. 《西厢记》插图版画是中国古代戏曲版画的缩影。

    The woodcut illustrations of the Story of the Western Chamber are an epitome of traditional Chinese opera prints .

  22. 本文从叙事学角度对《西厢记》金评进行阐释,从中可看出金圣叹的叙事理论具有重要的理论价值。

    With referring to narratology , this paper explains Jin 's narrative theory and expounds his important theoretical value .

  23. 匠心独运&论《西厢记》中普救寺的设置

    Exercising writer ′ s inventive mind & Discussion on the setup of Pujiu Temple in the Romance of West Chamber

  24. 《西厢记》与《红楼梦》爱情主题的异同

    The Similarities and Differences of the Love Topics between A Dream of Red Mansions and The Romance of West Chamber

  25. 《西厢记》在抨击封建礼教、主张青年男女婚姻自主的同时,对佛教亦进行了嘲讽与揭露。

    While attacking feudal ethics and advocating freedom of marriage Wang Shi-pu exposed and satirized Buddhism in the West Chamber .

  26. 《西厢记》玉人的审美意蕴爱在花园内外&《西厢记》和《拜月亭记》之比较

    The Love inside and outside the Garden The comparison of The Romance of West Chamber and The Story of Baiyue Kiosk

  27. 诸多学者对《西厢记》的研究广泛且深入,但对其传播与接受的情况却很少涉足。

    A good many scholars study it abroad and deeply , but few people set foot in its diffusion and receiving .

  28. 运用对话理论,从主题、人物形象、艺术风格几方面探讨《西厢记》成为经典的基础。

    Use the dialogue theory , investigate The Western Chamber becomes a classic foundation from the theme , characters and artistic style .

  29. 《西厢记》为元杂剧文采派的代表作,长亭送别又是该剧的精典一折。

    Xixiangji is the masterpiece of literary grace of drama of Yuan Dynasty and Bidding A Friend Farewell is a representative part .

  30. 他最有名的作品是“梁山伯与祝英台”和“西厢记”。

    His two famous works are " Liang Shanbo and Zhu Yingtai " and " The Story of the Western Chamber " .