抗战电影

论新中国敌后战场抗战电影（1949-2003）

On the Home Front Anti-Japanese War Movies in China ( 1949-2003 )

社会性别视角下的当代中国大陆抗战电影

Study on Contemporary Anti-Japanese War Movie of Chinese Mainland from Gender Angle

《风云儿女》几乎成为最伟大的抗战电影。

Children of Trouble Times was almost the greatest Anti-Japanese War film of the age .

纯真年代里的红色类型片重读十七年抗战电影本土化叙事的智慧十七年军旅题材类型片创作的启示

" Red Genre " in the Age of Innocence The Wisdom of the Local Movie Narration

在战时机制下，陪都抗战电影形成了一套特殊的传播理论，普遍重视电影的宣传教育功能，艺术要求降为次要。

Under the wartime mechanism , Chongqing , the temporary capital of China , develops a special theory for movie dissemination , stressing propaganda function rather than art demand .

然而作为战争记忆载体之一的当代中国大陆抗战电影，却因为整体上处于低水平的状态而常常受到观众的冷遇和专业影评人的漠视。

But the Anti-Japanese War movie , the memory carrier of war , are ignored by the professional critics and given cold shoulder by the audience because of its poor quality .

作为抗战电影的主流，大后方电影在中国电影史的研究中至今十分薄弱，其面貌依然模糊不清。

Notwithstanding being the mainstream of the films during the Anti-Japan War , the study of the Films in Main Rear Area ( FMRA ) in the history of Chinese film is still weak even now , and its visage is not clear yet .

在战后拍摄的抗战题材电影中，以反映战时间谍战和社会生活题材的影片为主，基本没有反映抗战军事题材的影片。

Among the films shot just after the war , most of them reflected spy theme and social life in the war time , but none reflected military theme .

本文旨在通过对抗战时代电影、战争、革命、知识分子多重关系的探讨，揭示大后方电影发生的深刻成因，并加以合理的解说。

By the discussion on the multi-relationships between films , war , revolutionary and the intelligences , this article reveals how the films in rear area came into being and , gives a rational explanation to it .

最后得出抗战时期上海电影的历史价值和现实意义的研究结论。

Chapter Four finally concludes the historical and the practical meaning of the film of Shanghai in the time of War of Resistance against Japan .

杂陈共生，蓄势促发&抗战时期大后方电影的特殊历史作用

Hybridity and Accumulation : The Special Historical Function of the Rear Area Films in the Period of the Anti-Japanese War

大后方电影纪实性故事片，作为抗战时期官营电影体下的主流形态电影，在发生机制的表述上一直没有一个从生成语境到创作特征的总体归纳和梳理。

Documentary feature Movie in the rear , movie as a mainstream form of a government-run movies during the war , in the formulation of the mechanism has not been a characteristic to the kernel image from the movie the overall summarized in the context of creation and combing .