戏曲表演

  • 网络drama performance
戏曲表演戏曲表演
  1. 戏曲表演教学中男生变声期的声音训练与保护

    Training and Protecting Boy Students ' Voice during the " Changing Sound Period " in Drama Performance Teaching

  2. 明代南京是戏曲表演中心地之一,有宫廷表演机构、民间职业戏班和家班这些表演机构,它们互为补充,共同承载着明代南京的戏曲表演职能。

    Nanjing was one of the drama performance centers in Ming Dynasty . The primary action organizations were the aulic , the professional and the familial organizations . They were complement and bearded playing function together .

  3. 越剧表演有鲜明的特色,在中国戏曲表演体系中独树一帜。

    Performance of Yueju Opera is unique in the performing system of Chinese operas .

  4. 而在禁中,戏曲表演明显也受到了统治阶级的青睐。

    In the cut , the theatrical performance was also favored by the ruling class .

  5. 布莱希特作为德国剧作家、戏剧理论家,较多的受到了中国戏曲表演艺术的影响。

    Brecht , as the German dramatist and drama theoretician , the more by Chinese drama influence .

  6. “花脸”,又称为“净”,是戏曲表演中的一个行当。

    Hualian , also known as jing , is a major role in China 's theatrical performing tradition .

  7. 对于已经形成了高度程式化体系的中国传统戏曲表演艺术来说,话剧是一种全新的表演方式。

    Chinese drama is a completely new performing art in China compared to the highly standardized traditional Chinese opera .

  8. 本文旨在研究如何利用电影手段将中国戏曲表演艺术传承和弘扬。

    This paper aims to study how to promote performing arts of Chinese Opera heritage by means of films .

  9. 情痴说:中国古典剧论的典范思想&潘之恒戏曲表演论的内涵及其意义

    Lovesickness : the Exemplary Idea in Ancient Chinese Theatricals & The Connotation and Significance of Drama Theory by Pan Zhi-heng

  10. 关于中国戏曲表演体系的艺术特征,专家学者有不同的见解。

    Experts and scholars have different understanding and opinions about the artistic features of the performance system of Chinese Drama .

  11. 其编剧策略虽说是以保留传统戏曲表演程式为原则,但在实践的过程却可见传统戏曲表演程式的新变。

    Though the adaptation strategy has mostly followed the traditional opera 's histrionic formula , in practice , the play exhibits innovations derived from within .

  12. 可电影作为艺术媒介,肩负着将中国传统戏曲表演文化传承的重要任务,它必须将其发扬光大。

    Film as a medium of art , shoulders an important task of passing on the cultural heritage of traditional Chinese opera , it must be carried forward .

  13. 明清两代的灯市上除有灯谜与百戏歌舞之外,又增设了戏曲表演的内容。

    Ming and Qing dynasties of lights Shangyuan addition to riddles , singing and dancing outside the theater with the100 , but also added the contents of opera performances .

  14. 本文试图从象征性、规定性、舞蹈性三方面来阐释戏剧服饰在整个戏曲表演中的重要作用。

    This paper attempts to illustrate the important role of costume in the whole opera performance from three aspects & symbolism , prescriptivism , and the nature of dance .

  15. 发掘我国戏曲表演中的精华,从中吸取营养,形成更具中国风格的动画角色行为特点、运动规律及夸张表演特征。

    To explore the essence of Chinese traditional opera performances , from which absorb nutrients , the formation of a more Chinese-style animated characters behavior , laws of motion and performance characteristics of an exaggeration .

  16. 戏曲表演程式的一招一式不仅具有线条美和节奏美,而且它是有思想的、有感情的、也是有生命的。

    The drama performs the program every gesture and motions not only to have line US and rhythm US , moreover it has the thought that to have the sentiment , also to have the life .

  17. 中国传统戏曲表演艺术在我国历史文化长河中占有相当重要的地位,中国民族声乐的发展离不开对于传统戏曲的借鉴再创造。

    Chinese traditional opera performing arts play an important role in the long river of history and culture , the development of Chinese national vocal music cannot leave again for the reference to the traditional opera creation .

  18. 与此同时,中国传统戏曲的表演形式也出现了新的面貌,戏曲改良也推动了戏剧业本身的发展。

    At the same time , the Chinese traditional opera acting style also promoted the development of drama industry itself .

  19. 折子戏的兴盛,不仅有利于丰富提高戏曲的表演艺术,更促进了各行脚色形成并发展自己的本工戏,这也为后代戏曲表演艺术流派的形成做了准备。

    Excerpts of prosperity , not only help enrich the performing arts improve the opera , but also promote the formation of lines and color feet and develop their own play in this work , which school of performing arts for future generations the formation of opera made preparations .

  20. 姜文曾就读于中央戏曲学院学习表演。

    Jiang Wen was trained at the Central Drama Academy-as an actor .

  21. 戏曲文学与表演艺术的关系

    The Relationship between Opera Literature and Performance Art

  22. 从中西思维方式看戏曲与歌剧表演艺术姜昆创新是度过曲艺瓶颈的关键

    On the Performing Art of the Traditional Chinese Opera and Opera from the Perspective of Chinese and Western Thinking Approach

  23. 戏曲学院现有表演、导演、戏剧影视美术设计、公共事业管理四个专业。

    This department has four programs : stage design , lighting design , costume and makeup design , Graphic and interior design .

  24. 宗教仪式中离不开酬神娱鬼的环节,华语戏曲曾经占据了表演的舞台,成为人们因循守旧的一种奉献给神灵的礼物。

    Religious rites cannot depart from the aspect of " worshiping gods and entertaining spirits " . Chinese opera used to occupy the performing stage and is a gift to the gods .

  25. 元杂剧公案戏的艺术技巧,除了文本方面值得我们继续深入外,其作为戏曲艺术的舞台表演技巧也是值得我们挖掘的。

    Yuan detective drama artistic skills , in addition to the text we continue to thoroughly deserves respect , but their performance skills as a stage drama art is also worth mining .

  26. 湖北地区戏曲的发展和戏曲表演活动的发展对于戏场建筑的形成和发展具有支配性的作用。

    The development and the performing action of drama have the dominant function on the formation and development of the theatrical buildings .

  27. 使民族声乐的学习者和演唱者充分认识传统戏曲的艺术魅力,掌握戏曲演唱技巧和表演精髓,为丰富和拓宽民族声乐演唱技法提供了理论依据。

    Make the national voice of the learner and artist to fully understand the artistic charm of traditional opera , to master the essence of opera singing and performing skills , enrich and expand the National Vocal technique .

  28. 戏曲的双重体验与双重表现&论阿甲先生关于“戏曲表演的体验与表现都是双重性”的观点

    The Double Experience and Doule Expression of the Traditional Chinese Opera

  29. 山西是一个戏曲大省,地方戏剧种多达五十多种,作为戏曲艺术表演场所的戏台建筑数量繁多,居全国首位。

    Shanxi is a big province for operas , with more than 50 kinds of local operas . The province has a large quantity of stage structures for drama performance , ranking first in the country .

  30. 宗教祭祀为华语戏曲的上演提供了适宜的机会,同时也利用华语戏曲这一表演形式争取信徒,扩大影响。

    Religious rites have provided chances for Chinese opera to be performed and Chinese opera as a form of performance has also won over believers and enlarged the influence of religion .