兀儿

从嘉靖七年（1528年）明朝兵部尚书王琼总制三边、安辑东迁后的撒里畏兀儿诸部，至明、清之交。

From 1528 to the turn of Ming and Qing Dynasty .

“兀儿”是佤族在丧葬仪式中使用的一种吹管乐器。

The main threads of it is the process of obsequies ceremony .

最终也宣告了元廷在畏兀儿地区实行的双层管理体制的失败。

It also declared that Yuan government carried double administration systems on Uyghur region were failed .

在万物有灵的原始宗教观念影响下，“兀儿”成了佤族死者生前显赫身份的一种象征符号。

Under the influence of animism ," Wu-er " becomes a symbol of the eminent position of the dead .

元代畏兀儿的界定及其文化区域回纥与漠北草原诸族关系初探

The Uighur Definition in Yuan Dynasty and its Cultural Regions The Relations between Uighur and Other Ethnic Groups to North of the Gobi Dissert

有关蒙古族古代文献典籍中“忽兀儿”“抄兀儿”的记载，成为史学家和音乐学家关注的问题。

The research on " Huur " and " Choir " in the ancient Mongolian documents and classics has become an issue concerned by both historians and musicians .

元代是畏兀儿文化发展的兴盛期，由于多种因素的交互影响，形成了各具特色的文化区域。

The Yuan Dynasty was a prosperous period of cultural development of Uighur , and evolved the cultural regions of its own because of influence of various factors each other .