交响诗

弗朗兹·李斯特（FranzLiszt）是19世纪欧洲浪漫主义音乐家的杰出代表，他首创了交响诗这一新的音乐体裁。

Franz Liszt is an outstanding representative of the 19th century European Romantic Musicians , he pioneered a new music form , the " symphonic poem " .

第三节，较为详细的分析了主要交响诗作品中动机与主题的使用。

Section III , a more detailed analysis of the major works of symphonic poem the theme of motivation and use .

第六节，叙述了主要交响诗作品的配器手法。

Section VI describes the major work orchestrated symphonic poem means .

理查·施特劳斯交响诗研究：语境·文本·音乐叙事

Richard Strauss 's Symphonic Poems : Context , Program , Musical Narrative

艺术风格的交响诗&荷兰现代建筑创作探析

Symphonic Poem of Art Style-On Contemporary Dutch Architectural Creation

李斯特交响诗《前奏曲》解读

My Notes On Liszt 's Symphonic Poem Les Preludes

《嘎达梅林》交响诗中的民歌主题运用方式探析

Exploration and Analysis of the Exerting of the Folk Song Theme in the Symphonic Poem " Gadameiiren "

为独唱，合唱队和管弦乐队而作的交响诗“今后我们每天拥有卡尔·马克思”（未完成）。

" From Karl Marx to Our Own Days ", symphonic poem for solo voices , chorus and orchestra ( unfinished )

理查·施特劳斯作为晚期浪漫主义音乐的代表作曲家之一，是交响诗、歌剧和艺术歌曲的创作大师。

Richard · Strauss as a representative of late Romantic music composer , one of the symphonic poem , opera and art song master of creation .

第五节，列举了交响诗中一些有代表性的节奏型，如夜骑节奏型、号角式的节奏型。

Section V , listed a number of representative symphonic poem rhythm-based , such as " night riding " rhythm-based , " horn " type of rhythm-based .

捷克民族乐派作曲家斯美塔那的交响诗创作使他林立于世界著名标题作曲家之列。

Smetana , the representative of Czech Nationalistic Music , his works of symphonic poem make him one of the most significant composers in program music cross the world and history .

对其主要的几首交响诗进行了较为详尽的分析，总结出西贝柳斯常用的一些作曲手法，这部分是本文的核心部分。

The first of several of its main symphonic poem for a more detailed analysis , summarized some of the composer Sibelius common approach , which is the core of this article .

生于匈牙利的李斯特独创了一种标题音乐-交响诗。这种体裁后又被，称作“音诗”，李斯特的即为一例。

Liszt , born in hungary , originated a type of program music , the symphonic poem later known as a tone poem also , and " les preludes " is an example .

杜鸣心先生的作品涵盖面很广，包括大型交响曲、交响诗、交响音画、歌剧、舞剧、影视剧配乐、钢琴、小提琴独奏、重奏、协奏曲和声乐作品等。

His works cover a wide range , including large-scale symphonies , symphonic poems , operas , dance dramas , films and theater music , piano , violin solo , ensemble , concerto and vocal works .

此外，埃尔加在作品之中运用的静态渲染与动态映画的音乐场景塑造与音乐行态表现手法，类似于理查·施特劳斯在其交响诗中惯用的手法。

In addition of this , the shaping of music scene with static shading and dynamic picturing as well as technique expression of music form is similar to the modus operandi of Richard Strauss in his symphonic poem .

在李斯特的交响诗作品中，《前奏曲》是最具代表性的作品，作品在作曲技法上，特别在和声技术上所表现出的风格特征，具有浪漫主义音乐风格的代表意义。

Among those works , the Les Preludes ( 1856 ) was the most representative one , its composition technique , especially the style characteristic on harmonic technique , took on the significance of the music style in Romanticism .

一代人以后，他的儿子小约翰施特劳斯把华尔兹扩展到交响乐的领域，将舞曲写成管弦乐交响诗，从而把舞厅变成了音乐厅。

A generation later , his son , Johann Strauss ii , extended the scope of the waltz to symphonic proportions , writing dance music in the form of orchestral tone poems that transformed the ballroom into a concert stage .

第二章论述了圣桑交响诗中神话故事的原始根基，并在此基础上进一步探究圣桑在这些神话人物的形象、情节的取舍过程中所融入的审美倾向以及个人的哲学理念；

Chapter Two discusses , based on investigating the original root of mythological subjects in his symphonic poems , Saint-sae | ¨ ns ' aesthetical inclination and personal philosophical thoughts result from his arrangements of figures and plots from the mythological stories .