东北秧歌

东北秧歌与东北地域文化的内在关联关于候选人的安东尼法

The Interior Corelation of North-East Yangko and North-East Regional Culture

手绢在东北秧歌教学中的价值与意义

Value and Significance of Props Handkerchief in Northeast Yangko Teaching

第一章概述学院派东北秧歌的基本文化内涵；

In Chapter One , the basic connotation of the " Academism " Northeast YangGe is summarized .

结语部分对学院派东北秧歌与民间舞蹈文化的关系做出了一些评价和展望。

The Conclusion gives the evaluation and expectation about the relationship between the " Academism " Northeast YangGe and the folk dancing culture .

从文化风格上，探询东北秧歌与东北民俗、东北女性、东北人恋土情结的关系。

From the culture style , searching the connection about the Northeast Yangge and the northeast folk-custom , the northeast female , the northeastemers'complex for the soil .

作为一种具有艺术性和地域性的民间艺术，东北秧歌将东北的文化内涵和精神意蕴融合在这种文化载体上，得以延续和传承。

As a kind of folk art with the characteristic in art and region , the Northeast Yangge which comprises the culture and the spirit of the northeast is inherited .

稳中浪、浪中梗、梗中翘，踩在板上，扭在腰上，是东北秧歌的最大特点。

Stability waves and the waves in the stems , stems in Alice , hit the board , twisting in the Yaoshang , is the most prominent characteristic of Yangge Northeast .

以东北秧歌的审美属性为基点，通过艺术形式的视觉感受和听觉感受，对这种民间艺术进行审美层面的解读；

At the base of aesthetic attribute of the Northeast Yangge , we interpret the folk art from the point of view of aesthetic through vision and hearing sense of aesthetic modality .

花棍秧歌一直是被黑龙江省舞蹈人们很好的保存，但是，它是最典型的具有地方特色的东北秧歌舞蹈教学，也是最有民族传承力的一只舞蹈。

Stick yangko dance has been Heilongjiang province dance people well preserved , however , it is the most typical with local characteristics of the Northeast yangko dance teaching , but also the most ethical inheritance force a dance .

透过东北秧歌这种现实的文化现象，从其历史源流切入，对东北的疆域划分、自然环境的考察、移民社会的构成、东北发展史的演变进行整体分析；

About the realistic cultural phenomena of the Northeast Yangge , we enter from its historic headstream , so that we can analyse holistically the boundary of the northeast , the natural entironment , the immigrant society and the development history of the northeast .