satyr

A satyr is half man and half goat in Greek and Roman mythology .

在希腊和罗马神话中，森林之神是半人半羊的样子。

Taking pity on him , the satyr invited the man to his home for a hot meal .

森林之神可怜这个男子就邀请他到他家中吃点热的食物。

Man and a Satyr having struck up an acquaintance , sat down together to eat .

一个人与赛特偶然相识，坐在一起吃东西。

There and then the satyr told the traveler to leave at once .

之后，森林之神要求这个旅行者立即离开。

Mystified , a satyr wanted to know what he was doing .

一个森林之神大惑不解，他想知道男子在做什么。

I advised Spry to mount a SATYR operation , and demonstrated the device to him .

我建议斯普赖安装森林之神装置，并向他作了示范。

This is a fable about a man and a Satyr

这是一个关於一个男人和萨梯的寓言

Quite the contrary , the satyr was man 's true prototype , an expression of his highest and strongest aspirations .

反之，萨提儿是人类的本相，是人类的最高最强的激情之体现。

The Dionysian Greek , desiring truth and nature at their highest power , sees himself metamorphosed into the satyr

但是酒神祭的希腊人却追求最强有力的真实和自然，所以他们见到自己变为萨提儿。

The satyr chorus of the dithyramb was the salvation of Greek art ;

酒神祭曲的萨提儿歌队，是希腊艺术治病救人的功绩；

Other demons who still lingered proceeded to help the Satyr with the one goal of wiping the Kaldorei out .

其它仍在附近闲逛的恶魔们也加入了萨特的大军，同样也是为了那个把卡多雷赶尽杀绝的目标。

The satyr and the idyllic shepherd of later times have both been products of a desire for naturalness and simplicity .

萨提儿和近代牧歌中的牧童，两者都是对原始自然因素的怀眷之产物。

He is neither an eunuch nor a satyr .

他既非阉人，亦非色鬼。

A satyr came across a traveller blowing on his hands . " Why are you doing that ?" asked the satyr .

一只人羊碰到一个旅人，见他在呵双手，就问：「你这是干甚麽？

The satyr is a replica of nature in its strongest tendencies and at the same time , a herald of its wisdom and art .

他是性灵及其最强烈的冲动之写照，是性灵本身之象征，同时也是发乎性灵的艺术和幻想之宣令使。

The satyr , as the Dionysian chorist , dwells in a reality sanctioned by myth and ritual .

酒神祭歌舞者萨提儿，就生活在神话和崇拜保证之下宗教所认可的一种现实中。

The vulgar , ill-bred old M.P. fell down on his knees and leered at her like a satyr .

这庸俗的缺乏教养的老议员竟然朝她下跪，并像色鬼那样睨视着她。

This was the War of the Satyr and they were vengeful for the death of their fallen father , Xavius .

这是一场萨特发动的战争，他们要为他们堕落之父&哈维斯的死报仇。

Bacchus himself , like the grape vine , symbolized the springtime rebirth of nature , A satyr embraces a laughing nymphs .

巴克斯本人，像葡萄藤一样代表了春天大自然的万物复苏。一个森林小神在拥抱一个大笑者的林泽仙女。

We take a closer look , a little sprite of office are looking to embrace the street , MM street from the satyr was next to go through , and this is how good ?

细看一下，一办公室的丫头都去大街找拥抱了，隔壁的MM又被隔街的色狼借走了，这该怎么是好？

He was past sixty and had a Michael Angelo 's Moses beard curling down from the head of a satyr along with the body of an imp.

他年纪六十开外，有一把像米开朗琪罗的摩西雕像上的胡子，从萨蒂尔似的脑袋上顺着小鬼般的身体卷垂下来。

Flame-Haired Satyr slowly taps his way through an eroding floor into the sea , as competing colour coded motorcycle teams set off in opposite directions to circle the Isle of Man .

红发的森林之神慢慢地踱过被侵蚀的地板走进海里，与此同时不同彩色标记的摩托车队出发，沿相反的方向环绕曼岛。

Thus we see how that fantastic and at first sight embarrassing figure arises , the wise and enthusiastic satyr who is at the same time the " simpleton " as opposed to the god .

他们是神的难友，同时也是从宇宙心灵里道破真理的智者。由此便产生这个幻想的，似乎不登大雅之堂的形象，聪明而又有灵感的萨提儿的形象。萨提儿比起酒神来可以说是“哑角”。

Perhaps we can gain a starting point for this inquiry by claiming that the satyr , that fictive nature sprite , stands to cultured man in the same relation as Dionysian music does to civilization .

我试提出这样的命题，这种假设的自然生灵萨提儿之于有教养的人，正如酒神祭音乐之于希腊文明那样；我们也许从这里找到研究的起点。

Born as the heir to the satyr dominion , Rikimaru was trained by the mightiest warriors of his race . This kind of personality is formed be-cause of her deep mental state .

身为兽精灵领土的继承人，力丸接受了他族里最强悍的战士的训练。她这种悍妒性格形成有着深层的精神心理因素的积淀。

The wild beasts of the desert shall also meet with the wild beasts of the island , and the satyr shall cry to his fellow ; the screech owl also shall rest there , and find for herself a place of rest .

旷野的走兽、要和豺狼相遇.野山羊、要与伴偶对叫.夜间的怪物、必在那里栖身、自找安歇之处。

While hitherto the character of dramatic speech had been determined by the demigod in tragedy and the drunken satyr in comedy , that bourgeois mediocrity in which Euripides placed all his political hopes now came to the fore .

平凡的市民，是欧里庇德斯一切政治希望所寄托，现在已有了发言之权，但是以前却是由悲剧中的神人，和喜剧中的醉鬼萨提儿或人妖，来决定语言的性质。

Even as tragedy , with its metaphysical solace , points to the eternity of true being surviving every phenomenal change , so does the symbolism of the satyr chorus express analogically the primordial relation between the thing in itself and appearance .

正如悲剧以其超脱的慰藉指示出：即使现象不断毁灭，生存之核心却万古长青；同样，萨提儿歌队的象征以比喻方法业已表现了物自体与现象之间的原始关系。

In the same manner , I believe , the cultured Greek felt himself absorbed into the satyr chorus , and in the next development of Greek tragedy state and society , in fact all that separated man from man , gave way before an overwhelming sense of unity which led back into the heart of nature .

同样，我相信，有教养的希腊人在萨提儿歌队面前会自惭形秽，而且，在酒神祭悲剧的直接影响下，城邦与社会，总之，人与人之间的隔阂，都消除了，让给一种溯源于性灵的强烈的万众一心之感来统治。

The satyr chorus is , above all , a vision of the Dionysian multitude , just as the world of the stage is a vision of that satyr chorus -- a vision so powerful that it blurs the actors ' sense of the " reality " of cultured spectators ranged row on row about him .

萨提儿歌队主要是酒神祭群众所见的幻影，而舞台境界则是萨提儿歌队所见的幻影。这幻影的力量如此强大，足以使人眼花缭乱，看不见“现实”的印象和周围座上有教养的人们。