kuso

The Analysis on Youth Subculture Characteristics of " Network KUSO "

网络恶搞的青年亚文化特性分析

Interpretation of the Youth Sub-culture Character about the Internet KUSO Phenomenon

网络恶搞现象的青年亚文化特征解读

As a new thing , KUSO culture in the internet stirred up complex social repercussions .

恶搞这一新生事物激起了复杂的社会反响。

Therefore , we should treat and guide " Network KUSO " correctly and rationally .

因此，我们应该正确、理性地看待网络恶搞并对其加以引导。

Undeniable , current works of KUSO are mixed ; its impact also can not be generalized .

不可否认，目前的恶搞作品良莠不齐，所带来的影响也不能一概而论。

The first part introduces the " kuso " culture in the " network micro-styles " .

分为三个部分内容：第一部分从社会心理学方面介绍了‘微’文体中的恶搞文化。

Part three elaborates the danger hidden in kuso groups ' identity constructing & conflicts of ethnic group .

第三部分阐述网络恶搞族群身份构建背后的隐患&网络族群冲突凸显。

Part one introduce the social effect that the kuso group in internet growing up healthy , affirm the social value that they have .

第一部分介绍网络恶搞族群健康成长的社会意义，肯定网络恶搞族群存在的社会价值。

The thesis considered contemporary chinese kuso phenomenon as a cultural text , and carried out an systematic analysis and interpretation of it .

本文将当代中国的恶搞现象当成一个文化文本，对其进行了系统的梳理、分析和解读。

At consumerism prevalent today , KUSO culture in the internet also has been impacted by consumerism .

在消费主义盛行的今日，网络恶搞同样受到消费主义的影响。

So you are enjoying the Kuso activity ?

你很爱这个恶搞的活动了？

The characters of Kuso not only makes it propagates quickly hut also leads to its declination inevitably .

由于其自身的繁殖特点，恶搞一方面得以迅速蔓延，一方面亦难以为继，必然走向衰微。

" Network KUSO " as a phenomenon of mass consumption cultural on the network , it is very prevalent in a long time on the network .

网络恶搞作为一种网络大众消费文化现象，它风行一时，在网络上呈现出一种全民狂欢的姿态。

The media should be played correctly guiding public opinion in the kuso phenomenon , to play a media advocacy function , and insisted on checking function .

媒介应在恶搞现象中发挥正确的舆论引导，发挥媒介的宣传功能，并坚持把关功能。

In 2006 , kuso in internet had transited from the individual behavior kuso lovers enjoyed themselves to the collective behavior of the ethnic group .

2006年，恶搞从网络爱好者自娱自乐的个体行为过渡到整个族群的群体性行为。

The emergence of KUSO culture in the internet is a product of social development . Its rise and prevalence is the general results of the social , cultural , psychological and other factors .

网络恶搞的出现是社会发展的产物，它的兴起和盛行是社会、文化、心理等多方面因素综合的结果。

First the KUSO culture is defined as a youth sub-culture , and then through the youth sub-culture theory of Birmingham School to interpret the Internet KUSO phenomenon .

第三章，对网络恶搞现象的青年亚文化特征进行解读，首先界定网络恶搞文化是一种青年亚文化，然后通过英国伯明翰学派的青年亚文化理论透视恶搞现象。

The Internet KUSO is interpreted from three aspects : the resistance , the style of the ceremony and the fate of incorporation . Finally , The summary of this paper is given .

从抵抗、风格化的仪式、收编的命运三个方面对网络恶搞进行了解读。

So as to make Network Kuso play its active role in promoting the spirit of Internet culture and the whole social cultural development , we must try our best to start the specification of the Network Kuso .

从而促进网络恶搞这一形式发挥其积极作用，促进网络文化以致整个社会精神文化的发展。

As a sub-culture , the internet " Kuso " culture only has a meaning of ceremonial defying , which stresses the post-modernistic method of copying and pasting .

作为一种亚文化，网络恶搞虽然具有抵抗意义，但只是一种仪式的抵抗。其手法主要是后现代所强调的复制与拼贴。

Along With the development of technology , the internet has become a microcosm of modern society . In this virtual e-society , a variety of new ethnic groups come into being , the kuso group is a representative one .

随着科技的发展，互联网成为现代社会的一个缩影，在这个虚拟的电子社会中，各种新兴族群应运而生，网络恶搞族群就是其中比较有代表性的一个。

Thinking KUSO culture as a tiny branch of mass culture can show how the mass culture , as a kind of domination force , changes all the construct of society superstructures including mass media , and reconstructs the traditional communication theories .

思考库索文化这一大众文化的细小分支，可以看到作为一种牢固控制和强制的支配力量，大众文化如何改变着包括大众传媒在内的一切社会上层建筑的构造，以及如何对传统传播理论进行重构。

Along with the increasingly maturity and development of the digital techniques , the network medium has brought many unprecedented changes to popular music communication . Presently , popular music in cyberspace generally demonstrated in three forms : Originality , Cover and Kuso .

随着数字技术的日益成熟和发展，网络媒介带给流行音乐传播领域许多前所未有的改变，目前，网络流行音乐一般主要以原创、翻唱、恶搞三种形式出现。

In the content , includes the preface and the main body ( altogether four chapters ) . Its structure arranges as follows : The preface mainly introduces the domestic research of kuso in internet , as well as the research methods and the innovation of the paper .

在内容构成上除绪论部分外共有四章，其结构形式具体安排如下：绪论部分主要介绍了网络恶搞现象的研究现状，及本论文的研究方法和创新之处。

By using parody , collage and other means to subvert the classic , deconstruct the authority , digest the center , publicize the personality , irony the society , the Internet KUSO has the typical characteristics of the sub-culture .

网络恶搞以娱乐、搞笑为宗旨，采用戏仿、拼贴等手法颠覆经典、解构权威、消解中心、张扬个性、反讽社会，具有典型的亚文化特征。

By analysing the fate and development trends of the Internet KUSO , the conclusion can be made that the Internet KUSO will not disappear in the short term and it will continue to exist with the principle of " politics minimized and benefit maximized " .

最后是全文的总结，对网络恶搞的命运和发展趋势作了分析，恶搞在短期内不会销声匿迹，会遵照政治风险最小化，经济利益最大化的原则继续存在。

After the 7-0 humiliating loss , Chinese Netizens were sure that the poor North Korean football players are going to be sent to coal mines now , hence these photo-shopped Kuso pictures of North Korean football players as coal miners circulated on forums like MOP and Tianya .

朝鲜0比7的惨败之后，中国网民们确信朝鲜球员将被送至煤矿。