chuanqi

The research of the history of " Chuanqi " has lasted about 100 years .

传奇史研究已经有100年的历史。

The first chapter studies that Tang Chuanqi exceeded Biographic tradition internally .

第一部分研究唐人传奇对史传传统的内在超越。

Study of Female Characters in Chuanqi of the Late Ming Dynasty

晚明传奇中女性形象研究

Discourse upon the Research in the History of Chuanqi

百年来传奇戏曲史研究论略

Chuanqi was a kind of scholar 's novel prevailing in Tang Dynasty .

传奇是盛行于唐朝的一种文人小说。

The sixth chapter discusses the relationship between Tang Chuanqi and Zhiren novel .

第六部分研究唐人传奇与志人小说的关系。

Chuanqi of the history of its formation , has a unique factors , have followed , and innovation .

传奇有其形成的具体历史环境，有着独特的构成因素，其发展有沿袭，又有创新。

Third chapters have analysed the environment accepting Tang Chuanqi that Taoism affects depicting .

第三章分析了受道教影响的唐传奇的环境描写。

Chuanqi , a new legend of LED

川奇：光电产业新传奇

The complexity of his identity as well as abundant practical experience , so his Chuanqi of greater emphasis on performance .

他的复杂身份和丰富的实践经历，使他对传奇的演出性更加重视。

This article take the Zaju and Chuanqi Opera in Ming and Qing Dynasties in Shandong as research object .

本文以明清时期山东杂剧传奇为研究对象。

Ming Chuanqi enriched the contents to different extent , loaded more contents of social life , therefore their themes are more complicated .

明传奇的篇幅比较长，容量也比较大，明传奇在改编中对原有的元杂剧作品进行了不同程度的丰富，承载了更多的社会生活内容，因而主题比较复杂。

It shows that the writers for Zaju and Chuanqi , creative at the time of innovation , and still adhere to old standards .

它表明了文人进行杂剧、传奇创作时，在有所创新之时，对旧标准仍有所坚持。

At the same time , Chuanqi created by literati is very close to Zaju , while they were also difficult to put on .

而同时期的文人传奇不仅在形貌上与杂剧日趋接近，并且也同样难以演出。

Tang Chuanqi is one kind of mature state classical Chinese novel taking form in the Tang Dynasty , be the literature peak existing simultaneously with Tang poetry .

唐传奇是在唐代形成的一种成熟状态的文言小说，是与唐诗并立的文学高峰。

Both Yuan Za Ju and Ming Chuanqi are reflections of social life , reflections and extract of the periods ' cultures .

元杂剧和明传奇都是社会生活的反映，都是时代文化的折射和浓缩。

From Nanxi Chaste Women Zhao and Erlang Cai to Chuanqi The Story of Lute ;

从南戏《赵贞女蔡二郎》到传奇《琵琶记》

As an adaptation for the literati 's literature-focused Nanxi drama ," Chuanqi " reflects the concept of drama of that time .

这一改称反映出文人阶层对文人南戏价值品格的认定，而选用传奇称名也有其文学渊源和戏剧观念背景。

On the contrary , the writing of the Chinese ancient drama , including Nang opera , Zaju , and Chuanqi fails to conform to this theory .

而中国古代戏剧即南戏、杂剧、传奇的创作实践与这种理论相悖。

A rich variety of images of female groups in Chuanqi of the Late Ming Dynasty has always been an important territory of research but witnessing inadequacy of comprehensive studies to date .

晚明传奇中多姿多彩的女性群像是一个很重要但又缺乏整体研究的领域。

Taoism in the Tang Dynasty is also in its golden age of development . Every aspect has produced gigantic effect to society , the effect to Tang Chuanqi has been also very far-reaching .

道教在唐代也正处于其发展的黄金时代，对社会各方面都产生了巨大的影响，对唐传奇的影响也十分深远。

As a typical ancient Chinese literature genre , Chuanqi Drama of Ming and Qing Dynasty presents its distinctive features at linguistic , literary and cultural levels , which also adds difficulties to translation work .

明清传奇作为中国古代戏剧的典型代表，具有独特的语言、文学和文化等多层面的美学特征，这也同时加剧了翻译的困难性。

Baiyue Pavilion embraces the highest thought and artistic achievement among the four great chuanqi as well as its influence on the literature of later generations , matching up to Notes of Pipa .

《拜月亭》在荆、刘、拜、杀四大传奇中，思想与艺术成就最高，对后世影响也最大，其时只有《琵琶记》可与它抗衡。

Yuan Za Ju began to decline in late Yuan dynasty , and were gradually replaced by Nanxi Drama and Chuanqi Drama of Ming dynasty ( Ming Chuanqi ) .

元杂剧在元末开始衰微，在戏曲舞台上逐渐被南戏和明传奇所取代。

Finally , on social functions , Yuan Za Ju emphasizes on entertainment . Ming Chuanqi inherited the Confucian tradition that literature should reflect doctrine , thus emphasizes on the educational function of drama .

在社会功能上，元杂剧偏重于娱乐功能；与元杂剧相比，明传奇更多地继承了儒家传统的文以载道，突出了戏曲的教化功能。

Pu instead wrote his stories in the classical idiom , freely adopting forms and themes from the old chuanqi ( " marvel tales " ) of the Tang and Song dynasties .

但是蒲松龄却用文言文写小说，并且自由地采用唐宋“传奇”的形式和主题。

Many works of Ming chuanqi were adapted from Yuan Za Ju . The authors of Ming dynasty deleted and revised the contents that did not agree with the doctrine of Confucianism while adapting .

明传奇中有大量作品是由元杂剧改编而成的，在明代作家对元杂剧进行改写的过程中，对元杂剧中不符合儒家传统礼教的内容进行了删改。

The 17 sorts of Chuanqi published on the supplement of Eastern Times and the magazine Eastern Times are works unknown to the academic circles and are new discoveries of contemporary documents of fable and Zaju .

《时报·余兴》副刊和《余兴》杂志曾刊载传奇17种，全部为以往学术界未能知晓之作，是近代传奇杂剧文献的新发现。

The first chapter An Introduction to Shandong Zaju and Chuanqi in Ming and Qing Dynasties , mainly clarifies the basic material of the writers and works , concisely describes its development process , the basic trend and so on .

本文正文包括五章：第一章《明清山东杂剧传奇概说》，主要是厘清明清山东杂剧传奇作家、作品的基本文献材料，概括性地描述其历史发展过程、基本趋势等。

As one of the main types of local operas in the northwest of China , Shaanxi Opera inherited the virtues of Zaju and Chuanqi and developed its own charm under the influence of the culture of Shaanxi province .

秦腔至今还是西北地区最主要的地方戏曲形式，它继承了元杂剧和明清传奇的优秀传统，在秦文化的熏陶下具有着自身的独特魅力。