次要人物

cì yào rén wù
  • minor character, secondary
次要人物次要人物
  1. 上周五,当欧洲人选出赫尔曼范龙佩(HermanvanRompuy)和凯茜阿什顿(CathyAshton)这两个次要人物担任欧盟总统和高级外交事务代表时,白宫官员毫不掩饰失望之情。

    White House officials did little to disguise their disappointment last Friday when Europe selected two minor figures to be its president and high representative on foreign affairs Herman Van Rompuy and Cathy Ashton .

  2. 他在这部片子里只扮演了一个次要人物。

    He played only a minor part in the film .

  3. 如果是一个次要人物,早就放弃了。

    A lesser man would have given up long ago .

  4. 每个次要人物各从一个侧面观照和凸现祥子的性格。

    Each sub-character reflects and protrudes xiangzi 's personality from one side .

  5. 既不是首要人物角色,也不是次要人物角色的用户人物角色都是补充人物角色。

    User personas that are not primary or secondary are supplemental personas .

  6. 通常,顾客人物角色被处理为次要人物角色。

    Typically , customer personas are treated like secondary personas .

  7. 约翰逊并非是次要人物。

    Johnson is scarcely less significant a figure .

  8. 与此同时,笔者也讨论了一些次要人物身上归属感与爱的缺失。

    Meanwhile , some minor characters that lack belongingness and love are also discussed .

  9. 但是这些主要人物通常会遭遇以群体形式出现的次要人物的再否定。

    However , these characters are always suffering from the negation from the secondary characters which appear in groups .

  10. 《红楼梦》中某些次要人物的对话主要是为了交代故事情节,或者是为了间接刻画主要人物的性格特点服务的。

    The dialogues of secondary characters help to show the plot or portray indirectly the main character 's nature .

  11. 莎士比亚悲剧中次要人物的功用尚无系统的研究。

    No systematic study has yet been found on the functions of Shakespeare 's minor characters in his great tragedies .

  12. 这样做让你回去玩的次要人物,转向节,谁可以去这些地方原来的标题声波不能。

    Doing so let you go back and play these original titles with the secondary character , Knuckles , who could go places Sonic couldn 't.

  13. 另一方面是一些转瞬即逝的次要人物,本身并无多大意义,但他们对主要人物的故事却起到了推波助澜的作用。

    On the other hand it lies in the temporary secondary characters , who themselves are not very important , but help a lot in characterizing the main characters .

  14. 在这些情节中,菲尔丁通过讲述小说次要人物的人生经历,对主人公提出了明确的道德警示。

    This kind of plot is usually about the life experience of some minor characters of the novel , constituting a kind of definite moral warning against the protagonist .

  15. 该论文从女性主义的角度对《宠儿》进行研究,将读者的注意力转移到该小说中主要人物以及次要人物的意识觉醒。

    This thesis intends to give a feminist study on Beloved and draw people 's attention to the awakening of the women consciousness of the major and minor women characters in Beloved .

  16. 本文主要从新闻的背景,标题,上位和下位目的,主要和次要人物,原因推理和结果推理以及示例和工具推理几个方面入手。

    This text is analyzed through the background , the title , superordinate goal subordinate goal , main character secondary character , casual antecedent inference causal consequent inference , instantiation instrument inference .

  17. 摘要1962年孙犁重写《风云初记》的尾声,并赋予次要人物女县长李佩钟以“烈士”身份。

    In1962 Sun Li rewrote the last act of his novel " recorded at the beginning of wind and cloud " and entrusted " the martyr " with the secondary female character Li pei-zhong .

  18. 《骆驼祥子》是老舍的代表作,围绕主人公祥子合理设置次要人物是它的主要艺术成就之一。

    The Yellow Cab Boy ( Luotuoxiangzi ) is Lao She 's representative work , in which one of the major art achievement is shown by reasonably arranging sub-characters around the hero " xiangzi " .

  19. 剧本人物的心理造型主要通过“隐形人”形象、次要人物的象征性安排、象征主义和表现主义手法的运用以及对剧中人物的心理分析来实现的。

    The psyche portrayal of the protagonists is fulfilled through the creating of the " invisible man ", the symbolic arrangement of other heroes , and the techniques of symbolism and expressionism and psychological analysis of the protagonists .

  20. 这些次要人物的笔墨虽然经济,但就艺术形象而言,仍然是非常丰满的。二十世纪至今的吸血鬼文学创作,总的趋势是充实、丰满吸血鬼形象,使其人性化;

    There are so less words about the secondary figures mentioned above , but their artistic figures are rich . From 20'c to these days , the general trend of the vampire literature is the enriched and plentiful vampire image which can be humanized .

  21. 凯瑟在小说《我的安东妮亚》中大量地使用人物并置对照法,其中包括主要人物之间、主要人物与次要人物之间以及主要人物自身的并置对照。

    Character juxtaposition finds its full expression in Willa Cather 's My Antonia , in various forms , such as the juxtaposition between the main characters ( Antonia and Jim ) , the main and secondary characters , and the images of the main character ( Antonia ) herself .

  22. 在康拉德、吉卜龄、福特的书中,次要或第二人物的角色。

    The role of a minor or secondary character in Conrad , Kipling , Ford .