影视美学

意象美学：中国影视美学体系再认识

The " Image " Aesthetics : A Reflection on the Chinese Film-Television Aesthetics System

通过结合叙事学及影视美学的基本理论与电影、电视剧的主流叙事特性，从叙事视角和叙事策略两个大方面来具体分析主流叙事的特性。

By combining narrative and film aesthetics of basic theory and movie , TV , the mainstream narrative characteristics from narrative perspective and narrative strategies to two big ways mainstream narrative characteristic of concrete analysis .

通过论证进而得出结论：电影片头设计是影视美学和设计美学由表象到内涵交融的产物；平面设计由传统媒体向新媒体的实验性探索，成为电影片头发展的契机。

The conclusion by demonstrating : Movie title sequence design is the aesthetics and design aesthetics of film and television appearances to the content from the blend of products ; graphic design from traditional media to new media , experimental exploration of a film title sequence development opportunities .

增加了镜头画面的真实感，强化了影视在美学层面上的假定性。

It adds realism to the picture and strengthens the hypothetical of a movie at an aesthetic level .

最后，本文寄希望于“俱分进化”之真善美方面的进化，呼吁倡导一种培养新感性的影视艺术接受美学。

Finally , the article calls for a new acceptation aesthetics of video art , which will build a new sense about the film and television art .

电影留在晚生代亦史亦诗史诗兼融&试论影视传记片的美学特征

Aesthetic Features of Biographic Films and TVs

本文从影视片头制作与影视美学特质着手，从美学的角度出发来探讨关于中国影视片头的美学特质和发展的新方向。

This video titles from the aesthetic properties of film and television production and set , from an aesthetic point of view to explore the aesthetics of Chinese film and television titles and development characteristics of the new direction .