夏衍
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论夏衍现实主义戏剧观的主要特征
The Main Characteristics of Realistic Drama in View of Xia Yan
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夏衍电影改编理论的历史境遇与现实意义
Historical conditions and realistic significance of XIA Yan 's film adaptation theory
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论夏衍电影对现代小说名著的改编
On the Adaptation of the Modern Works in Xia Yan 's Films
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论夏衍戏剧的语言特色
The Linguistic Features of Xia Yan 's Drama
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夏衍:现代革命文坛的巨匠&纪念夏衍105周年诞辰
Xia Yan , Giant of Modern Revolutionary Literature
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强烈的艺术激情、生动的形象性和深刻的哲理性构成夏衍戏剧语言的特色。
His drama language can be characterised by strong artistic passionateness , vividness and philosophicalness .
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夏衍是现代著名的剧作家。
Xia Yan is a modern playwright .
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戏剧语言是戏剧的生命。夏衍的剧作,在中国现代戏剧文学中独树一帜。
Xia Yan 's drama distinguishes itself as a unique part of modern Chinese drama literature .
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夏衍善于通过对小人物命运的刻划来反映社会生活。
The dramatist is good at reflecting social life through a portrayal of minor characters ' fate .
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张爱玲、无名氏、夏衍、侣伦等人用自己对异族、他者形象的塑造,为中国文学如何从自己民族的传统出发去接纳人类普遍性价值,留下了久远的思考。
And they remained a permanent thinking on how to accept human common value from their native tradition for Chinese literature .
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同时,夏衍有关人性本质的揭示并非静态的,而是具有与时代主潮紧密相联的实践品格。
Xia Yan 's exploration of the human nature is not static but a with dynamic practical character of the main stream of his time .
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作为左翼文学的执守者,夏衍文学思想的核心就是强调文学为政治、为革命斗争服务。
As a devoted guard of the Left Wing literature , Xia Yan sticks to the idea that literature should be for the sake of political and revolutionary struggle .
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通过对夏衍20世纪30-40年代话剧创作历程的详细剖析,文章不仅揭示了夏衍剧作发展的内在逻辑,而且对于这一时期中国文艺发展的具体情状作出阐述。
This article , by close analysis , reveals the innate logic of the development of his works , and explains the specific situation of the development of Chinese literature and art in that period .
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如果说夏衍受外国戏剧的影响是自觉的追求,那么,民族戏曲对夏衍剧作的渗透则是自然形成、潜移默化的,是无形地融化在其血脉中的。
If we say that the influence of foreign dramas upon Xia Yan was a kind of conscious pursuit , then the permeation of Chinese traditional operas in his works could be considered to be natural formation or a kind of unconscious influence .
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蚯蚓眼是夏衍于1946年在上海《世界晨报》上开辟的杂感专栏,文章多短小精悍,有些甚至只是标题性的,信息十分丰富,但其样态与我们所习见的文艺性杂文有许多差异。
Earthworm 's Eye is an essay column in the World Morning Paper run by Xia Yan in Shanghai in 1946 . The essays published in the column are mostly short and pithy , and some of them are like news headlines but quite informative .
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丰子恺生活在传统向现代过渡的特定历史时期,他受到传统与现代的双重影响。主要是以夏衍的创作为论述的基础,以说明夏衍创作中受到契诃夫、高尔基双重影响及其相互关系。
Because of living the period of particular transitional history from traditional ages to modem times , he was influenced by traditional culture as well as modern culture . The analysis is mainly based upon Xia Yan 's play writing since he was influenced both by Chekhov and by Gorky .
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该电影由许幸之执导,剧本作者为夏衍。电影讲述的是青年诗人辛白华与朋友梁质夫从东北流亡到了上海,而当梁质夫很快加入到抗击日本侵略的战争时,辛白华却选择追求刚刚离婚、富有魅力的施夫人。
Children of Trouble Times tells about an intellectual , the young poet Xin Baihua , who fled Shanghai from the northeast with his friend Liang Zhi-fu . However , whereas Liang soon joined the resistance against the Japanese invasion , Xin chose to pursue a relationship with a glamorous woman , Ms. Shi who just divorced .